Still Life with Fish, n.d. by Abraham Hendrickz van Beyeren
Canvas Print - 6057-BEY

Location: Philadelphia Museum of Art, Pennsylvania, USA
Original Size: 71.4 x 92.4 cm
Still Life with Fish, n.d. | Abraham Beyeren | Giclée Canvas Print
Still Life with Fish | Abraham Beyeren, n.d. | Giclée Canvas Print

Giclée Canvas Print | $56.76 USD

SKU:6057-BEY
Printed Size

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 31.8 x 41.3 in
*Max framing size: Long side up to 28"

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"Still Life with Fish" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "Still Life with Fish" by Abraham Beyeren, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

van Beyeren, that unruly Dutchman, the painter who never met a fish he didn’t want to immortalize. His "Still Life with Fish" from the Philadelphia Museum of Art is as slippery and messy as a fish market at the crack of dawn. It’s a chaotic, juicy pile of dead sea creatures - mackerel, crabs, and God knows what else - all heaped together with a palpable disregard for tidiness. Van Beyeren doesn’t give us a sanitized, neatly arranged scene, no - this is the smell of brine, the wet slap of fish scales against wood.

Look at the colors, will you? He doesn’t bother with soft pastels or delicate shading. No, this is a palette of browns so deep they verge on black, interrupted only by the dull gleam of fish skin catching some low light. And that raw flesh - the cuts of red that slice through the darkness - are almost violent in their intensity. It’s blood and guts, the stuff of life and death. That’s what van Beyeren does here: he throws it in your face. The crabs, half-hidden in the corner, the pottery looming in the back, it’s all part of the theatre. He sets the stage, but it’s the fish - those poor, twisted fish - that take center stage, their scales glistening like they’re still wet, still a little alive.

But there’s something more here, something quietly profound. Amidst the mess and the chaos, there’s an undeniable realism, almost a reverence. Van Beyeren’s brushwork is loose, his textures rough, but there’s a sincerity to it. He’s not trying to impress us with beauty - he’s showing us the reality, the toil, the grit of everyday life. And he’s doing it in such a way that you can’t look away. It’s almost vulgar in its honesty, but that’s exactly why it works.

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