Etruscan Vase Painters, 1871 by Sir Lawrence Alma-Tadema
Canvas Print - 92-ATL
Location: Manchester Art Gallery, Manchester, UKOriginal Size: 40.6 x 27.4 cm
Giclée Canvas Print | $52.38 USD
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*Max printing size: 25.6 x 17.3 in
*Max framing size: Long side up to 28"
"Etruscan Vase Painters" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Etruscan Vase Painters" by Alma-Tadema, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
The softly illuminated color scheme in "Etruscan Vase Painters" forms a delicate interplay of pale grays, subdued browns, and muted lavenders that quietly envelop the figures. The vessels, with their red and black highlights, emerge as focal points against these gentler backdrops, suggesting the significance of the artistic process underway. This tonal restraint seems to capture the hush of creative absorption, as if the entire scene is suspended in a moment of quiet contemplation.
Equally compelling is the compositional rhythm that unfolds around the painting’s central table. The figures—one woman assessing a newly decorated lekythos, the other bent over a larger marriage vase—sit in a harmonious arrangement of vertical and horizontal lines. The upright stance of the amphora on the table mirrors the female artist’s posture, while the window in the background offers a glimpse of distant Doric architecture, reminding us of the antiquity from which both the form and design of these vases derive their inspiration. The interplay of space and light guides the eye, ensuring we notice each carefully placed artifact, from the small aryballos perched on the sill to the partially hidden glaux.
Seen up close, the technique reveals a meticulous commitment to detail. The artist’s background in archaeology echoes in the precision with which every vessel and swath of drapery is rendered. The brushstrokes are controlled but never rigid, balancing aesthetic finesse with archaeological authenticity. This is especially evident in the decoration of the lekythos: the design is carefully traced from parchment, emphasizing the blend of artistry and craft that vase painting required. The muted palette and gentle gradations of light emphasize the tactility of each surface, from the rough wooden tabletop to the smoother contours of the ceramics.
Beyond its observational realism, the scene carries a quiet tension in the portrayal of two creative figures. The female artist’s measured stance and the male painter’s intense focus leave room for debate on how each is valued within the ancient workshop. Meanwhile, the background suggests a Greek influence on southern Italy—reflecting the storied heritage of Apulian vase painting. The painting’s nuanced references to archaeological artifacts, alongside its sensitive portrayal of the artists at work, combine to create a tableau that is both rooted in the classical past and curiously evocative of modern studio practice.
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