Madonna Enthroned with St. Matthew, 1588 by Annibale Carracci
Canvas Print - 9373-CAR
Location: Gemaldegalerie Alte Meister, Dresden, GermanyOriginal Size: 384 x 255 cm
Giclée Canvas Print | $50.29 USD
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By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 28 x 18.6 in
*Max framing size: Long side up to 28"
"Madonna Enthroned with St. Matthew" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Madonna Enthroned with St. Matthew" by Annibale Carracci, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
Annibale Carracci’s "Madonna Enthroned with St. Matthew" is what happens when an artist decides to throw away all restraint and go full-throttle Baroque - even though this was still the late Renaissance. And my goodness, does Carracci go for it! The whole scene is like a theatrical production crammed onto a single canvas. You’ve got angels swirling above, saints crowding below, and the Madonna and Child right in the middle, perched high on their heavenly pedestal, looking serene and, dare I say, slightly unimpressed with all the fuss going on around them.
The colors are where Carracci shows off his real technical prowess. There’s something almost juicy about the palette. The Madonna’s blue and white robes shimmer, glowing against the gold backdrop, which Carracci slyly hints at but doesn’t dominate. The reds pop, especially on St. John the Baptist’s cloak - rich, blood-like, absolutely throbbing with life. Everything is designed to keep the eye bouncing around the canvas, from the warm golden hues to the cooler blues and greens that Carracci weaves in to balance the frenzy.
What’s really clever is how Carracci balances the composition without it feeling stiff. The saints are almost conversational in their poses, each locked in their own private moment with the divine. St. Francis bends humbly, his expression the epitome of devotion, while St. John the Baptist, always the wild card, stretches his hand upward with an urgency that makes you wonder if he’s about to leap off the canvas. And then there are the angels - cheeky little putti swirling around like they’re in the middle of some cosmic ballet.
Carracci’s technique is, of course, flawless. Look at the musculature of the figures, how he captures the tension in St. John’s body, the softness in the Virgin’s hand. It’s that classic Carracci trick - making everything look effortless while stuffing the canvas with more drama than a Renaissance soap opera. And yet, somehow, it works. The whole thing feels like it's caught between heaven and earth - a glorious mess of devotion, passion, and Baroque bravado.
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