Pasture in Normandy, 1880s by Eugene Boudin
Canvas Print - 18310-EBU

Location: Denver Museum of Art, Colorado, USA
Original Size: 31.7 x 45 cm
Pasture in Normandy, 1880s | Eugene Boudin | Giclée Canvas Print
Pasture in Normandy | Eugene Boudin, 1880s | Giclée Canvas Print

Giclée Canvas Print | $48.70 USD

SKU:18310-EBU
Printed Size

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 21.1 x 29.9 in
*Max framing size: Long side up to 28"

in Height
in Width

"Pasture in Normandy" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "Pasture in Normandy" by Eugene Boudin, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

Eugène Boudin’s “Pasture in Normandy” is the sort of painting you might walk past without much thought, but it would be a mistake to dismiss it. What looks like a peaceful scene of cows in a meadow is actually a slow, quiet meditation on time and space. Boudin wasn’t interested in romanticizing the landscape or glorifying the life of farmers. No, what he gives us here is something far more nuanced – a painting that’s all about "presence". The cows are there, sure, but they feel almost like placeholders, as though they’re simply there to witness the slow march of the clouds overhead.

Look at the way Boudin handles the sky. The clouds hang low, almost sagging, heavy but not threatening. The way they spread across the canvas gives the painting an incredible sense of openness – it’s vast, almost limitless, yet also intimate. The grass is vibrant, yes, but not overly idealized. The green isn’t a fantasy; it’s an observation. It’s broken by patches of ochre, and even the shadows have hints of blue. You get the sense that Boudin wasn’t interested in nature as beauty but as something more indifferent, more complex.

The technique is loose, almost casual. The cows are rendered with such ease that they feel barely there, as though they could dissolve into the landscape at any moment. Yet, they anchor the painting, their bulk offsetting the expansiveness of the sky. And the composition? It’s almost indifferent to you as a viewer. The horizon line isn’t perfectly measured, the positioning of the cows isn’t symmetrical – it’s all slightly off, but that’s exactly what makes it feel true. This isn’t a staged scene; it’s just life, unhurried and unapologetic.

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