The Floor Scrapers, 1875 by Gustave Caillebotte
Canvas Print - 498-GUC

Location: Musee d'Orsay, Paris, France
Original Size: 102 x 146 cm
The Floor Scrapers, 1875 | Caillebotte | Giclée Canvas Print
The Floor Scrapers | Caillebotte, 1875 | Giclée Canvas Print

Giclée Canvas Print | $53.39 USD

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SKU:498-GUC
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By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 35.9 x 51.2 in
*Max framing size: Long side up to 28"

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"The Floor Scrapers" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "The Floor Scrapers" by Caillebotte, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

In late 19th-century Paris, as industrialization advanced and urban workers became more visible, painting them honestly remained a delicate matter. This work made its initial appearance at the 1875 Salon, where its plain reference to modern city laborers was greeted with some disdain. Traditionally, scenes of toiling peasants, as in Millet or Courbet, included a moral message; here, the viewer finds no explicit sermon. The artist’s approach, though rooted in academic rigor, challenged convention by placing contemporary workers in a setting that feels both startlingly direct and utterly uncompromised by sentimentality.

In compositional terms, the image invites the viewer’s eye to move across the surface in a steady glide, guided by the lines of the wooden floorboards as they recede toward open doors and a balcony beyond. The perspective, adjusted from a slightly elevated vantage point, ensures that the viewer shares the space of these laborers, not as a distant observer, but almost as a participant. One senses careful planning, the measured alignment of all elements, as if each position and angle were meticulously charted before transferring them to the canvas.

Technically, the artist’s academic training is evident in the balanced proportions, the controlled draftsmanship, and the sculptural modeling of the torsos. The bodies are reminiscent of classical forms, a nod to traditional life studies, yet placed in the utterly modern context of a renovated Parisian interior. Tools, wood shavings, and the subtle details of their work have been captured with a careful documentary eye, underscoring authenticity.

In terms of coloration, there is a muted interplay of warm browns, soft creams, and subdued greys. This understated palette eschews spectacle, instead allowing the textures and tones of the wood and flesh to register without distraction. Light enters from the background, infusing the scene with a soft glow that makes the workers’ environment tangible rather than theatrical.

What ultimately impresses is the frankness of the depiction. Three men, stripped to their waists, attend to the floor as if no one were watching, their concentration palpable, their bodies grounded in a world of real labor. It is a restrained yet incisive portrayal of urban life, devoid of moralizing, focused simply on the act of work itself.

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