Entrance to the Grand Canal: Looking West, c.1738/42 by Giovanni Antonio Canal Canaletto
Canvas Print - 6603-CAN
Location: Private CollectionOriginal Size: 121 x 152 cm
Giclée Canvas Print | $70.40 USD
By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 20.1 x 26 in
*Max framing size: Long side up to 28"
"Entrance to the Grand Canal: Looking West" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Entrance to the Grand Canal: Looking West" by Canaletto, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
Canaletto’s "Entrance to the Grand Canal: Looking West" is a love letter written with a ruler. It captures Venice with the crispness of a map, but a map that sings. There’s an undeniable sense of order here - almost obsessive - but underneath it, a kind of understated poetry hums along. The scene is pristine, quiet, as if Venice itself has paused, waiting for you to notice something, though you’re not quite sure what.
On the left, the Dogana stands like a well-behaved monument, with the dome of Santa Maria della Salute rising behind it, grand but not showy. The buildings, too, on the right, are rendered with such exactitude, they almost become abstract - geometry made from stone and light. It’s Venice, but pared down to essentials. The gondolas float in the canal, poised, their stillness mirroring the calm of the whole scene. It’s a Venice that doesn’t invite you to jump in but to look and look closely.
The colors are soft, muted. Canaletto isn’t trying to dazzle with bright hues, but rather, with his ability to make light and shadow almost palpable. The sky is a gentle blue that blends seamlessly into the greenish waters of the Grand Canal. The buildings are bathed in a warm, golden light - not quite the Venice of mist and decay, but one that feels eternal, almost unreal in its stillness.
What really sets this painting apart is Canaletto’s technique. The brushwork is precise, almost too much so. There’s an almost scientific clarity to the way he paints the architecture, like he’s cataloging it for posterity rather than just observing it. But there’s something else here, a quiet tension between the obsessive detailing and the underlying emotion. You can sense his deep affection for Venice - not the Venice of tourists and clichés, but a Venice seen through a lens of clarity and precision.
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