St. John the Baptist in the Wilderness, c.1610 by Michelangelo Merisi da Caravaggio
Canvas Print - 10950-CMM

Location: Galleria Borghese, Rome, Italy
Original Size: 159 x 124 cm
St. John the Baptist in the Wilderness, c.1610 | Caravaggio | Giclée Canvas Print
St. John the Baptist in the Wilderness | Caravaggio, c.1610 | Giclée Canvas Print

Giclée Canvas Print | $101.51 USD

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SKU:10950-CMM
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By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 47.2 x 38 in
*Max framing size: Long side up to 28"

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"St. John the Baptist in the Wilderness" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "St. John the Baptist in the Wilderness" by Caravaggio, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

The technique behind this painting is anything but timid. One senses in the brushwork a fervent directness: paint applied rapidly, with minimal underdrawing, to capture the scene in a single impassioned breath. The transitions from brilliant highlights to areas of deep shadow—those trademark contrasts the painter so famously owned—are seamless and all-encompassing. Even the figure’s youthful skin tones, in places, melt into the surrounding gloom, beckoning our eyes to search for each subtle detail.

The colors, although restrained, hold a magnetic presence. The dark backdrop surrenders to that dramatic shard of light illuminating the boy’s body. The velvety red drapery is particularly gripping, its intensity heightened by the subdued palette elsewhere. This makes the cloth appear almost alive, its folds seeming to swirl around John, emphasizing the peculiar mix of vulnerability and significance in his posture. Meanwhile, the sheep—a silent but crucial component—blends with the earthier hues, suggesting a natural realm both protective and ominous.

As for the arrangement, it’s a lesson in masterful positioning. The viewer is immediately drawn to the pale form of the boy, a beckoning presence amid the murk. From there, our gaze is led by the red cloth, around the staff, and finally onto the sheep behind him. This circular motion keeps us locked in an almost intimate dialogue with John. The artist has constructed an atmosphere of solitude—a wilderness, indeed—where spiritual reflection collides with a gentle theatrics of pose.

Looking at the figure’s expression, one finds a curious combination of weariness and introspection, which makes this version of John far more than a straightforward depiction of a biblical youth. The sense of an ending, or perhaps a beginning, ripples through the painting. It’s widely understood that this work belongs among the painter’s late expressions, and it shows. Where earlier compositions might revel in brash drama, here we witness a more subdued, inward-looking tone. The result is a glimpse of the artist himself, teetering on the edge of personal redemption while still performing a balancing act between devotional art and an almost tangible realism.

That background of Caravaggio’s era, full of religious upheaval and fervent artistic competition, also flavors the piece. A final gift on a quest for clemency, this painting traveled as part of the painter’s last efforts to secure favor. Despite confusion in its early provenance, inventories recognized its significance, and the painting remains a quiet testament to his late career—a thoughtful meditation capturing John in the wilderness, and perhaps the artist, too, seeking solace in the darkness.

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