Study of Trees, c.1904 by Paul Cezanne
Canvas Print - 7171-CEZ
Location: Fogg Art Museum at Harvard University, Massachusetts, USAOriginal Size: 62.2 x 47 cm
Giclée Canvas Print | $57.29 USD
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*Max printing size: 41.3 x 31.3 in
*Max framing size: Long side up to 28"
"Study of Trees" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Study of Trees" by Cezanne, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
Cézanne’s "Study of Trees," painted around 1904, is not just a study of trees, but of vision itself - a meditation on how we see and how we make sense of the world through shape and color. It feels as if the trees are slowly coming into existence before our very eyes, built up with short, deliberate strokes of paint. There is no solid line, no clear outline, only a suggestion of forms. Branches and leaves seem to float in space, emerging from the canvas like thoughts half-formed.
The composition is beautifully fragmented. Cézanne isn’t giving us a landscape in the traditional sense; instead, he’s allowing us to experience the process of seeing. The blue and green patches of paint scatter across the surface, creating the impression of foliage, but they never fully resolve into recognizable trees. The empty spaces are just as important as the filled ones, creating a delicate balance between presence and absence, between what is there and what is not.
The colors are pure, unmixed - blues, greens, and ochres laid down in simple, deliberate strokes. This choice of palette is subtle, yet it suggests a complex relationship between light and form, between the solidity of nature and its ever-changing, elusive character. Cézanne’s brushwork is loose and confident, as though he is not interested in capturing the trees themselves, but rather the sensation of being among them, the air that moves through their branches.
"Study of Trees" is both unfinished and complete in its own right. It stands as a moment in time, frozen yet fluid, an exploration of the very act of painting. Cézanne is not merely recording nature - he is wrestling with it, understanding it on his own terms. It’s a painting that invites the viewer to slow down, to look again, and to see beyond what’s immediately apparent.
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