The Coronation of Napoleon, c.1806/07 by Jacques-Louis David
Canvas Print - 12837-DJL

Location: Louvre Museum, Paris, France
Original Size: 621 x 979 cm
The Coronation of Napoleon, c.1806/07 | Jacques-Louis David | Giclée Canvas Print
The Coronation of Napoleon | Jacques-Louis David, c.1806/07 | Giclée Canvas Print

Giclée Canvas Print | $48.80 USD

SKU:12837-DJL
Printed Size

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 31.8 x 51.2 in
*Max framing size: Long side up to 28"

in Height
in Width

"The Coronation of Napoleon" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "The Coronation of Napoleon" by Jacques-Louis David, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

Jacques-Louis David’s The Coronation of Napoleon is a monumental work that captures not just a moment, but an entire era with a mastery that blurs the line between painting and propaganda. David, ever the consummate court painter, has crafted an image that both glorifies and mythologizes Napoleon Bonaparte's rise to power.

At first glance, you’re struck by the sheer scale of the canvas—it’s enormous, almost overwhelming, just like Napoleon’s ambitions. The composition is dominated by the central act of Napoleon crowning his wife, Josephine, rather than himself, which is a clever deviation from tradition that underscores his control over his own narrative. The emperor, standing tall in imperial robes of deep red and gold, is the absolute focus, radiating authority and power. Around him, an array of historical figures, from Pope Pius VII to various members of the Bonaparte family, are frozen in poses of reverence and admiration.

The detailing is exquisite—David’s brushwork is meticulous, from the gleaming surfaces of the marble to the intricate folds of the velvet. But what truly sets this painting apart is the atmosphere; the grandiosity of the setting, the opulence, the almost palpable tension in the air, all hint at the political machinations behind the ceremony. This isn’t just a coronation; it’s a statement, a visual manifesto of power and legitimacy. David’s painting, like the man it depicts, is as much about what is seen as what is deliberately left unsaid.

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