At the Stock Exchange, c.1878/79 by Hilaire Germain Edgar Degas
Canvas Print - 2840-DEE
Location: Musee d'Orsay, Paris, FranceOriginal Size: 100 x 82 cm
Giclée Canvas Print | $56.61 USD
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*Max printing size: 24 x 19.1 in
*Max framing size: Long side up to 28"
"At the Stock Exchange" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
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If you select a frameless art print of "At the Stock Exchange" by Edgar Degas, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
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Painting Information
The intriguing aspect of this painting lies in its origins. Here is the son of a failed banker, scrutinizing the very world he was once close to, yet never fully accepted. The result is a study that owes its existence in part to a key concept championed by an art critic of the time: that portraiture should capture the moral and social imprint on its subject. The man at the center - banker Ernest May, an enthusiast of the artist’s work - is offered up as more than a face in a crowd. His elongated, almost spectral features stand out against a cacophony of dark suits and top hats, a single figure amid the bustling frenzy of the stock exchange.
Yet the painting is not all straightforward depiction. Its most immediately arresting quality is the arrangement of bodies and shapes, which at first suggests formless chaos. Look closely, and you find a precise architecture of human silhouettes. The anonymous onlookers in the foreground and background serve as visual scaffolding, guiding our focus to May. The composition, with May placed centrally but not ostentatiously so, orchestrates our gaze like a subtle stage director. Even the men seemingly drifting in the margins have roles to play, their shadows and partial outlines echoing the painting’s underlying sense of voyeurism.
Color operates quietly yet powerfully in this scene. Degas’s choice of subdued browns, charcoal blacks, and dusky greens blankets the stock exchange in a near-gloom, as if the air itself were thick with whispered deals. Flecks of muted light on polished hats and paler flesh tones around May’s face allow him to emerge from this darkness. The palette is restrained, consistent with a narrative focused on class, money, and the social tension swirling around them.
Technical subtlety marks this work. The brushstrokes that shape background figures are vague, approaching abstraction in their shapelessness, while May’s distinct facial contours and neat beard reveal painstaking observation. It is this combination of loose, suggestive outlines and deliberate modeling that anchors the painting’s effect. Ultimately, one senses a cautious fascination. The painter uses his vantage point as an observer, acknowledging the rituals of finance even as he steps away from their moral entanglements. What seems a slice of urban life is, at its heart, an exploration of persona and social codes, rendered with both reserve and precision.
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