The Four Horsemen from the Apocalypse, 1498 by Albrecht Durer
Paper Art Print - 13815-DUA
Location: Metropolitan Museum of Art, New York, USAOriginal Size: 38.8 x 29.1 cm
Giclée Paper Print | $46.67 USD
By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 41.3 x 31 in
*Max framing size: Long side up to 28"
"The Four Horsemen from the Apocalypse" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Paper Art Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our choice of a non-woven art paper guarantees premium quality. This paper is free of optical brighteners and has a delicate watercolor texture that adds an artistic flair to art reproductions. Combined with a matte coating, it creates stunning art prints with vibrant colors, rich blacks, and exceptional detail reproduction.
Additional blank areas are included on all sides of the printed area, providing versatility for various purposes.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "The Four Horsemen from the Apocalypse" by Durer, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.
Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.
All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
Albrecht Dürer's "The Four Horsemen of the Apocalypse" is a woodcut that packs a punch. Created in 1498, it's part of his "Apocalypse" series - a visual thunderclap that shook the art world of Renaissance Europe. This isn't just a religious illustration; it's a fever dream rendered in ink and wood.
The composition is a masterclass in controlled chaos. Four riders burst from left to right, their horses' hooves barely grazing a tumult of fallen bodies. Dürer crams the frame with detail, yet somehow avoids suffocation. The eye is drawn upward, from the tangle of the damned to the relentless charge of the horsemen, to the roiling sky above.
Let's talk technique. Dürer's command of the woodcut medium is jaw-dropping. He coaxes an astonishing range of tones from simple black lines on white paper. Look at how he suggests the cloudscape with swirling, organic forms, then contrasts it with the sharp, geometric lines of the horsemen's weapons. It's a balancing act between order and chaos, mirroring the apocalyptic theme.
The Four Horsemen themselves are a marvel of characterization. Death, a ghastly skeleton, rides a emaciated nag. Famine brandishes scales, while War and Conquest bear weapons aloft. Their faces are studies in grim determination. Dürer gives each a distinct personality through posture and accoutrements, no mean feat in a monochrome medium.
Below, humanity writhes. Dürer doesn't spare anyone - crowned heads and bishops tumble alongside peasants. It's a pointed critique of societal hierarchies, all rendered moot in the face of divine judgment. The artist's line work here is phenomenal, suggesting crushed bodies and flailing limbs with economical marks.
What's truly revolutionary is how Dürer creates depth. Through varying line thickness and density, he conjures a sense of receding space. The Four Horsemen seem to emerge from the picture plane, galloping towards the viewer. It's an effect that must have seemed almost three-dimensional to 15th-century eyes.
This isn't just apocalyptic art - it's Dürer wrestling with the anxieties of his age. The turn of the 16th century was a time of immense social and religious upheaval. In this woodcut, he captures that sense of a world teetering on the brink. It's why "The Four Horsemen" still resonates today. Dürer tapped into something primal here, a fear of cosmic forces beyond our control.
Five centuries on, this woodcut still has the power to stop viewers in their tracks. It's a testament to Dürer's visionary artistry - he took a biblical text and turned it into a timeless meditation on power, judgment, and the fragility of the established order.
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