Martyrdom of the Ten Thousand Christians, 1508 by Albrecht Durer
Canvas Print - 16220-DUA
Location: Kunsthistorisches Museum, Vienna, AustriaOriginal Size: 99 x 87 cm
Giclée Canvas Print | $62.76 USD
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*Max printing size: 47.2 x 43.8 in
*Max framing size: Long side up to 28"
"Martyrdom of the Ten Thousand Christians" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Martyrdom of the Ten Thousand Christians" by Durer, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
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Painting Information
In Albrecht Dürer's "Martyrdom of the Ten Thousand Christians," we're confronted with a scene of Biblical brutality rendered with Renaissance finesse. This 1508 masterpiece is a writhing tapestry of flesh and faith, where the sacred and the profane dance a macabre waltz.
The canvas teems with bodies - some falling, some fleeing, all caught in the throes of divine sacrifice. Dürer's mastery of the human form is on full display here, each figure a study in anatomical precision. The artist revels in the challenge of depicting the body in every conceivable pose, from the serene to the contorted.
Color plays a crucial role in guiding our eye through this chaotic composition. Rich reds and blues of the martyrs' robes punctuate the earthy tones of rock and skin, creating a rhythm that leads us from one gruesome vignette to the next. The verdant greens of the distant landscape offer a cruel contrast to the carnage below - nature's indifference to human suffering writ large.
Dürer's commitment to perspective is evident in how he stacks the drama, from the foreground's intimate horrors to the distant cliff-top executions. It's a vertical narrative that draws us in and up, mirroring the ascension of the martyrs' souls. The artist's Italian influences shine through in the classical poses and the attention to light and shadow that sculpts each figure.
In a cheeky nod to his patrons and peers, Dürer inserts himself and his friend Wilhelm Pirkheimer into the scene, dressed anachronistically in contemporary Nuremberg fashion. It's a meta-moment that bridges the gap between Biblical past and Renaissance present, reminding us that art is always, in some way, about the artist.
This painting is more than a religious tableau - it's Dürer's statement of artistic intent. Here, he proves he can match the Italian masters in depicting the nude, in complex compositions, and in infusing Christian themes with classical aesthetics. It's a tour de force of Renaissance art, where faith meets flesh in a spectacle of suffering and salvation.
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