Mary Adoring the Child (Dresden Altarpiece - Central Panel), 1496 by Albrecht Durer
Canvas Print - 16230-DUA

Location: Gemaldegalerie Alte Meister, Dresden, Germany
Original Size: 117 x 96.5 cm
Mary Adoring the Child (Dresden Altarpiece - Central Panel), 1496 | Durer | Giclée Canvas Print
Mary Adoring the Child (Dresden Altarpiece - Central Panel) | Durer, 1496 | Giclée Canvas Print

Giclée Canvas Print | $59.55 USD

SKU:16230-DUA
Printed Size

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 31.5 x 25.5 in
*Max framing size: Long side up to 28"

in Height
in Width

"Mary Adoring the Child (Dresden Altarpiece - Central Panel)" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "Mary Adoring the Child (Dresden Altarpiece - Central Panel)" by Durer, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

Dürer's "Mary Adoring the Child" is a masterful blend of Northern European devotional art and Italian Renaissance influences. The central panel of the Dresden Altarpiece, painted in 1496, showcases the young artist's evolving style after his return from Italy. The composition is intimate yet complex. Mary, draped in a rich teal robe, dominates the foreground. Her figure creates a protective arch over the sleeping Christ child, who lies naked and vulnerable on a wooden bench. The Virgin's face is a study in quiet contemplation - eyes downcast, lost in maternal reverie.

Dürer's attention to detail is exquisite. A weathered book and delicate fern frond rest near the infant, hinting at Mary's interrupted devotions. An angel with gossamer wings swats at flies with a feathered fan, a charming touch of the everyday intruding on the sacred.

The background teems with activity. Industrious cherubs sweep and tidy the sparse chamber, while others float near the ceiling, supporting a crown and wafting incense. Through an open window, we glimpse architectural fragments - perhaps nodding to the Italian cityscapes Dürer had recently encountered.

The painting's palette is subdued yet luminous. Mary's deep green robe provides a bold anchor, while softer earth tones dominate elsewhere. Dürer's mastery of light is evident in the subtle modeling of flesh and fabric, creating a sense of volume that was revolutionary for its time.

This work beautifully illustrates Dürer's artistic evolution. While rooted in Northern European traditions, the figures possess a new plasticity and monumentality gleaned from Italian masters. The result is a devotional image of startling immediacy - at once deeply spiritual and warmly human.

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