Portrait of Oswolt Krel, 1499 by Albrecht Durer
Canvas Print - 3059-DUA
Location: Alte Pinakothek, Munich, GermanyOriginal Size: 49.6 x 39 cm
Giclée Canvas Print | $49.98 USD
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*Max printing size: 41.3 x 32.5 in
*Max framing size: Long side up to 28"
"Portrait of Oswolt Krel" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Portrait of Oswolt Krel" by Durer, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
Dürer's "Portrait of Oswolt Krel" from 1499. What a curious fellow this Krel seems to be - all curls and fur and penetrating gaze. There's something almost unsettling about the way he stares out at us, as if he's just caught us rifling through his ledgers.
Dürer, not yet 30 when he painted this, was already showing off. Look at how he's rendered that fur trim - you can almost feel its softness, can't you? It's a painterly flex, a young artist saying "See what I can do?" But it's not just technique on display here. There's psychology at work too.
The red background - bold choice, that. It sets Krel apart, makes him pop. But it also boxes him in, doesn't it? There's a sliver of landscape off to the side, a hint of a wider world. But our merchant seems trapped in his frame, hemmed in by his own importance.
And what of that pose? It's all very Italian Renaissance, isn't it? Dürer showing us he's been doing his homework, studying those southerners. But there's something distinctly German about Krel too - in the set of his jaw, perhaps, or the no-nonsense cut of his robe.
I'm fascinated by Krel's expression. Is that a smirk playing at the corners of his mouth? Or is it contempt? There's an air of challenge about him, as if he's daring us to judge him. Dürer's captured something of the merchant's soul here - ambitious, proud, maybe a touch insecure.
The painting's a balancing act, really. Between North and South, between realism and idealization, between the public face and the private man. Dürer's walking a tightrope, and pulling it off with aplomb.
In the end, what we're left with is a portrait that's both of its time and oddly timeless. Krel could be any number of powerful men we see today - the clothes might change, but that look of barely concealed self-satisfaction? That's eternal. Dürer's given us more than just a man - he's given us a type, a character study that resonates across the centuries. Not bad for a day's work, eh?
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