The Last of England, c.1852/55 by Ford Madox Brown
Canvas Print - 458-FMB

Location: Museum and Art Gallery, Birmingham, United Kingdom
Original Size: 82.5 x 75 cm
The Last of England, c.1852/55 | Ford Madox Brown | Giclée Canvas Print
The Last of England | Ford Madox Brown, c.1852/55 | Giclée Canvas Print

Giclée Canvas Print | $65.40 USD

SKU:458-FMB
Printed Size

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 33.9 x 30.1 in
*Not available for framing

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"The Last of England" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "The Last of England" by Ford Madox Brown, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

Ford Madox Brown’s "The Last of England" is less of a painting and more of a well-orchestrated emotional ambush. Brown was never one for subtlety - he hits you right in the gut with this one. This isn't your typical romanticized image of migration; there’s nothing poetic about it. Look at those faces - the cold, stark desperation. The couple, tightly bundled against the cold, aren’t just leaving England, they’re fleeing. And Brown lets you feel every bit of that suffocating sense of departure, from the grim lines around their eyes to the bitter clasp of their hands, clutching each other like it’s all they’ve got left.

The oval frame? Genius. It’s claustrophobic, like the very air has been sucked out of the picture. You’re forced into their world - the harsh wind, the icy waves, the oppressive grey skies - there’s no escape, no hope. The couple’s pale, almost sickly complexions contrast sharply with the mud brown and grey tones that dominate the scene, but then there’s that punch of crimson in her bonnet, a symbol of life, of the little humanity left in this drab nightmare.

Brown’s technique here is immaculate. There’s no flattery, no romantic sheen. The coats are rough, the hands chapped and red. You can practically feel the biting cold through his meticulous attention to detail. And then, the background - look at the way the sea churns behind them. It’s as turbulent and unpredictable as the journey they’re about to embark on.

It’s a brutal painting. It’s unrelenting. And it’s utterly brilliant. Brown shows us the brutal reality of Victorian emigration, not through grand gestures, but in the tiny, heartbreaking details - a bit of cold bread, a furrowed brow, a touch of windburn. It’s life, stripped bare.

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