The Moon Rising over the Sea, c.1822 by Caspar David Friedrich
Canvas Print - 2909-FCD
Location: Gemaldegalerie, Berlin, GermanyOriginal Size: 55 x 71 cm
Giclée Canvas Print | $56.75 USD
By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 21.4 x 28 in
*Max framing size: Long side up to 28"
"The Moon Rising over the Sea" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "The Moon Rising over the Sea" by Caspar David Friedrich, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.
Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.
All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
In "Moonrise over the Sea," Caspar David Friedrich isn't just painting a scene - he's trapping you in a mood, like some kind of Romantic spell. The figures in the foreground are frozen in place, not in a moment of action, but in a contemplative pause that feels almost suffocating. They’re just watching the moon lift itself over the sea, but their stillness is louder than any gesture. The ships, mere shadows in the distance, drift silently toward the horizon - or away from it - but who really cares? They exist only to remind us of distance, of departure, of the world beyond this lonely shore.
Friedrich has a thing for vastness. He paints this scene in tones that feel cold to the touch: indigoes and lilacs dominating the sky, while the sea itself absorbs the same palette, blending into one unending plane of twilight. His handling of light is soft, understated - none of the bold, brash sunrises here. The moon sits there, pale and indifferent, almost like an afterthought, casting the faintest light onto the rocks and sea. The sea’s surface is nearly still, a mirror that refuses to reflect any warmth.
There’s something too orderly about the composition - three figures, three boats, the perfect split of land, sea, and sky. Friedrich is methodical, almost clinical, in how he positions everything. The horizon is low, stretching across the canvas like a barrier between what’s real and what’s intangible. But it’s the quiet - the emptiness of it all - that gets you. It’s beautiful, sure, but in that beauty, there’s an undercurrent of isolation, of the terrible silence that Friedrich seems to revel in.
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