Chalk Cliffs on Rugen, 1818 by Caspar David Friedrich
Canvas Print - 2926-FCD
Location: Oskar Reinhart Museum, Winterthur, SwitzerlandOriginal Size: 90.5 x 71 cm
Giclée Canvas Print | $57.30 USD
By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 35.4 x 27.5 in
*Max framing size: Long side up to 28"
"Chalk Cliffs on Rugen" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Chalk Cliffs on Rugen" by Caspar David Friedrich, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.
Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.
All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
Friedrich’s "Chalk Cliffs on Rügen" is the kind of painting that gives you vertigo. You feel the precariousness of the moment - the figures teetering at the edge of the world, gazing into an abyss of soft, silvery blue. The chalk cliffs themselves, jagged and knife-like, rise almost surreally from the water below, pulling you between a sense of wonder and the very real possibility of falling.
Let’s talk about those cliffs. They dominate the scene, stark white against the pale sky, but Friedrich gives them texture - shadows creeping into crevices, making them look almost like frozen waves. It’s the light that’s the real genius here. He uses it to carve out those cliffs, to make them glow in a way that feels spiritual, ethereal even. The sea below is a hazy expanse of blues and pinks, like a watercolor wash that’s still drying. It feels infinite, stretching into eternity.
The figures, tiny in comparison, seem at odds with the vastness before them. There's something introspective about them - as if they’re lost in the immensity of nature. The man in the green jacket kneels, peering anxiously over the edge, while the woman in red sits delicately, her dress an anchor of warmth amid all the cool tones. And then there’s the standing figure - hands in pockets, almost too casual, as if he's unbothered by the void beneath.
The whole composition feels like a careful balance of opposites: fear and beauty, the delicate and the monumental. Friedrich uses nature not just as a backdrop but as a living, breathing force - quietly reminding us of our smallness in the grand scheme of things.
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