Christmas Night (The Blessing of the Oxen), c.1902/03 by Paul Gauguin
Canvas Print - 13156-GAP

Location: Indianapolis Museum of Art, Indiana, USA
Original Size: 70.9 x 82.6 cm
Christmas Night (The Blessing of the Oxen), c.1902/03 | Gauguin | Giclée Canvas Print
Christmas Night (The Blessing of the Oxen) | Gauguin, c.1902/03 | Giclée Canvas Print

Giclée Canvas Print | $62.54 USD

SKU:13156-GAP
Printed Size

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 20.3 x 24 in
*Max framing size: Long side up to 28"

in Height
in Width

"Christmas Night (The Blessing of the Oxen)" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "Christmas Night (The Blessing of the Oxen)" by Gauguin, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

Paul Gauguin’s “Christmas Night (The Blessing of the Oxen)” is exactly the kind of painting that sneaks up on you. At first glance, you might mistake it for just another rural scene - a cow, some peasants, snow-draped landscape, the usual quaint fare. But then, as you let your eyes wander through the composition, it becomes clear that Gauguin has laid out something much stranger, much more unsettling. The ox at the center isn’t just strolling by - it's marching like some bovine saint, heading toward what can only be described as a frozen shrine.

Let’s talk color, because this is where Gauguin does something sneaky. You’ve got the expected chill of the blues and whites, but look at the way those colors seem almost weighed down by the earthy, gritty tones of the ox and the villagers. The peasants are anonymous figures, more like dark shadows huddled under their cloaks, barely human. And that’s intentional - Gauguin isn’t painting individuals, he’s painting symbols, rituals, traditions.

And those brushstrokes? They’re messy, on purpose. There’s no real finesse here, no softness. The snow looks like it could cut you. The ox is practically vibrating with rough textures. Gauguin’s technique isn’t about creating a pretty picture - he’s layering these short, abrupt strokes to build up a sense of quiet urgency.

Compositionally, everything leads you to that statue of the Madonna and Child - the central, silent witness to this strange procession. The ox, the people, the entire village all bow toward this frozen piece of faith. Gauguin’s painting is cold, harsh, and yet somehow filled with life - as if the snow itself is buzzing with some spiritual energy that only he can see.

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