The Snake Charmer, c.1870 by Jean Leon Gerome
Canvas Print - 11386-GER
Location: The Clark Art Institute, Massachusetts, USAOriginal Size: 83.8 x 122 cm
Giclée Canvas Print | $49.21 USD
By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 27.7 x 41.3 in
*Max framing size: Long side up to 28"
"The Snake Charmer" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "The Snake Charmer" by Gerome, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
Jean-Léon Gérôme’s "The Snake Charmer," c. 1870, is exactly the kind of seductive spectacle that 19th-century Europe just couldn’t get enough of. And why wouldn’t they? Here we have a flawless slice of Orientalism - exotic and dripping in calculated mystery. Gérôme knew what he was doing. He wasn’t just painting a scene; he was selling a fantasy, neatly packaged for a Western audience craving a little spice from the so-called “East.”
Let’s talk about that backdrop first. It’s this monumental wall of shimmering blue tiles, so dense in detail that it almost vibrates. Gérôme’s obsession with precision is relentless. The blues range from deep, inky cobalt to a paler turquoise, with the repeated geometric patterns giving the whole thing a hypnotic quality. But it’s not just about the tiles, is it? No, it’s about what they do to the central figure - a young, naked boy, holding up a snake. Against the rigid, chilly perfection of that wall, the boy’s soft, vulnerable flesh practically radiates warmth. His pose - all fluidity and grace - makes him look like he’s in some bizarre dance with the serpent, which itself slithers with an unsettling elegance.
Now look at the men on the left. They’re just sitting there, a little too composed, draped in robes that Gérôme has painted with his usual clinical precision. Earthy tones - browns, reds, and greens - all wrapped around their bodies in a way that suggests weight and heat. They’re watching, but they’re not watching *too* closely. There’s this aloofness to them, as if they’ve seen this a hundred times. And yet, they’re complicit, part of this spectacle - just like us.
Gérôme’s brushwork is exact, almost mechanical in its cold perfection. You don’t feel his hand at work - it’s too polished for that. But the composition is pure theater. It draws you in, makes you a voyeur. The snake, the boy, the men - all of it is constructed to stoke the flames of Western fantasies about the “mysterious Orient.” It’s beautiful, yes, but it’s the beauty of a staged performance. Gérôme isn’t giving us the truth. He’s giving us what we want to see - or what we think we want to see. And that’s where the real trick lies.
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