Late Afternoon, New York, Winter, 1900 by Frederick Childe Hassam
Canvas Print - 5236-HSS

Location: Brooklyn Museum of Art, New York, USA
Original Size: 94 x 73.7 cm
Late Afternoon, New York, Winter, 1900 | Hassam | Giclée Canvas Print
Late Afternoon, New York, Winter | Hassam, 1900 | Giclée Canvas Print

Giclée Canvas Print | $59.52 USD

Your Selection

SKU:5236-HSS
Print Size

Customize Your Print

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 24 x 18.9 in
*Max framing size: Long side up to 28"

in Height
in Width

"Late Afternoon, New York, Winter" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "Late Afternoon, New York, Winter" by Hassam, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

If you want a painting which is not in our catalogue

Painting Information

In "Late Afternoon, New York, Winter," Frederick Childe Hassam offers us not just a view of the city but an immersion into its atmosphere - a winter day slowly fading into evening. The scene is bathed in a soft, almost ghostly light, where the buildings and figures are enveloped in a pale blue haze. Hassam’s use of color is subtle yet purposeful. Blues and greys dominate, but there are flickers of warmth - hints of pinks and yellows from the street lamps and windows that seem to pulse quietly in the cold. It’s a painting where the air feels thick, the snow muffling sound and sight, as the city itself seems to blur into the twilight.

Hassam’s technique is as delicate as the subject matter. His brushstrokes are light, almost whispering across the canvas, creating the sensation of snowfall and the misty quality of winter light. There’s a sense of immediacy in the scene, a fleeting moment captured just as it begins to fade. The figures, reduced to dark shapes, are not the focus but part of the fabric of the city, moving through it without fanfare. Hassam paints them as though they belong to the snow itself, just visible enough to remind us that life goes on, even in the stillness of winter.

The composition is both expansive and intimate. The wide avenue stretches before us, but the details - the lampposts, the carriages, the bare trees - pull us closer. The snow, falling quietly, softens the edges of everything, creating a sense of continuity between the elements of the scene. There’s no harshness here, no sharp contrasts, only the gentle interplay of light and shadow, cold and warmth. It’s a painting about mood, about the sensation of being in the city on such a day, where the world feels hushed and the snow transforms the familiar streets into something almost dreamlike.

Hassam masterfully captures not just the visual effects of winter but the emotional resonance it brings. It’s a painting that invites contemplation, as the city slows down under the weight of snow, caught between the bustling day and the quiet of night.

Top