Bridge of Sighs, Ducal Palace and Custom House, Venice, 1833 by Joseph Mallord William Turner
Canvas Print - 14395-TJW
Location: Tate Gallery, London, United KingdomOriginal Size: 51.1 x 81.6 cm
Giclée Canvas Print | $49.98 USD
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*Max printing size: 14.5 x 24 in
*Max framing size: Long side up to 28"
"Bridge of Sighs, Ducal Palace and Custom House, Venice" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Bridge of Sighs, Ducal Palace and Custom House, Venice" by J. M. W. Turner, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
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Painting Information
Turner’s "Bridge of Sighs, Ducal Palace and Custom House, Venice" from 1833 isn’t just a painting of Venice. It’s Turner taking Venice apart and rebuilding it with his own feverish obsession for light and movement. Look at it. It’s as if the city has been dunked in water - everything is shimmering, half-solid, half-vanishing. What’s meant to be the firm structure of the Ducal Palace almost dissolves into the air. This is no postcard of Venice; it’s Venice in flux, caught mid-breath.
Turner’s technique here is loose, verging on the sloppy - but that’s the point, isn’t it? The boats in the foreground look like they’ve been hurriedly slapped together with a dirty brush, the shadows and lines bleeding into each other as if they don’t really care about form. And yet, amidst all this chaos, there’s a strange kind of clarity. You *feel* the movement of the gondolas, the sway of the boats, the ripple of the water - it's alive.
As for the colors, they’re almost too clean for what he’s showing us. That sky - too blue, too crisp. The water - a gleaming mirror of gold and brown. It's like Turner’s trying to dazzle us with light, to blind us with it, so we miss the fact that the whole scene is, in reality, unraveling. The buildings, those icons of Venetian power and history, are reduced to soft, fading shapes - almost as if they’re sinking, just like the city itself. It’s disorienting, unsettling, and yet you can’t look away.
Turner wasn’t interested in details here. He was interested in the feeling of Venice - its fragility, its beauty, its inevitable decay. And he captured it all with an audacious brush and a vision that was as restless as Venice itself.
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