Bridge of Sighs, Ducal Palace and Custom House, Venice, 1833 by Joseph Mallord William Turner
Canvas Print - 14395-TJW

Location: Tate Gallery, London, United Kingdom
Original Size: 51.1 x 81.6 cm
Bridge of Sighs, Ducal Palace and Custom House, Venice, 1833 | J. M. W. Turner | Giclée Canvas Print
Bridge of Sighs, Ducal Palace and Custom House, Venice | J. M. W. Turner, 1833 | Giclée Canvas Print

Giclée Canvas Print | $48.80 USD

SKU:14395-TJW
Printed Size

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 14.5 x 24 in
*Max framing size: Long side up to 28"

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"Bridge of Sighs, Ducal Palace and Custom House, Venice" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "Bridge of Sighs, Ducal Palace and Custom House, Venice" by J. M. W. Turner, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

Turner’s "Bridge of Sighs, Ducal Palace and Custom House, Venice" from 1833 isn’t just a painting of Venice. It’s Turner taking Venice apart and rebuilding it with his own feverish obsession for light and movement. Look at it. It’s as if the city has been dunked in water - everything is shimmering, half-solid, half-vanishing. What’s meant to be the firm structure of the Ducal Palace almost dissolves into the air. This is no postcard of Venice; it’s Venice in flux, caught mid-breath.

Turner’s technique here is loose, verging on the sloppy - but that’s the point, isn’t it? The boats in the foreground look like they’ve been hurriedly slapped together with a dirty brush, the shadows and lines bleeding into each other as if they don’t really care about form. And yet, amidst all this chaos, there’s a strange kind of clarity. You *feel* the movement of the gondolas, the sway of the boats, the ripple of the water - it's alive.

As for the colors, they’re almost too clean for what he’s showing us. That sky - too blue, too crisp. The water - a gleaming mirror of gold and brown. It's like Turner’s trying to dazzle us with light, to blind us with it, so we miss the fact that the whole scene is, in reality, unraveling. The buildings, those icons of Venetian power and history, are reduced to soft, fading shapes - almost as if they’re sinking, just like the city itself. It’s disorienting, unsettling, and yet you can’t look away.

Turner wasn’t interested in details here. He was interested in the feeling of Venice - its fragility, its beauty, its inevitable decay. And he captured it all with an audacious brush and a vision that was as restless as Venice itself.

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