Queen Victoria at Osborne, 1865 by Sir Edwin Henry Landseer
Canvas Print - 7590-LEH
Location: The Royal Collection, London, United KingdomOriginal Size: 147.3 x 208 cm
Giclée Canvas Print | $49.98 USD
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*Max printing size: 13.9 x 20.1 in
*Max framing size: Long side up to 28"
"Queen Victoria at Osborne" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Queen Victoria at Osborne" by Landseer, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
In Sir Edwin Landseer’s "Queen Victoria at Osborne," painted around 1865, we witness a portrait of Queen Victoria unlike any formal depiction of royalty. Seated on her pony, Flora, the Queen is a figure wrapped in shadow and solitude, clad in the heavy black of mourning. Landseer presents her not as a monarch, but as a woman weighed down by grief, absorbed in a letter that seems to pull her attention inward. John Brown, her loyal attendant, stands by her side, steady and watchful, his face a study in quiet strength. There’s a sense of intimacy between them, a wordless companionship that seems to soften the edges of her isolation.
The colors here are muted, somber. Landseer’s palette speaks to a subdued naturalism, the greens of the estate blending softly with the browns of the path beneath them. The dark tones of Victoria’s mourning attire contrast with the paler shades of the surrounding landscape, making her a central figure in this contemplative scene. There’s no sharp contrast, no dramatic lighting - instead, Landseer’s brush captures a quiet, almost faded luminosity, allowing the soft blues of the sky and the gentle greens of the trees to envelop the Queen’s form, giving the painting a sense of quiet, understated elegance. Even the Queen’s dogs, the Border Collie and Skye Terrier, mirror this sense of loyalty and calm, their presence grounding the scene.
The composition is spare and thoughtful. Landseer positions Victoria and Brown at the center, with Princess Louise and Princess Helena seated in the background, lending the scene an almost narrative quality, as if they belong to a different story - one she is only distantly connected to. Scattered on the ground are letters, gloves, and a small red box - symbols of the everyday moments that surround a Queen, reminding us that she is also a mother, a widow, and a woman enduring the passage of time. These small details, almost incidental, infuse the painting with a sense of immediacy, grounding it in the tactile world.
Landseer’s brushwork is restrained yet full of nuance. He captures textures with a sensitivity that brings out the rich softness of the fabrics and the wiry fur of the dogs. This is a painting that whispers of quiet sorrow, of loss endured with dignity. Landseer has not idealized the Queen; he has shown her in her mourning, her gaze cast down, her thoughts turned inward. Here, Victoria is not only the ruler of an empire but a person navigating the depths of personal grief. It is this delicate balance - between the regal and the personal, the public and the private - that makes Landseer’s portrait so compelling, so achingly human.
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