Hercules and Omphale, 1724 by Francois Lemoyne
Canvas Print - 15355-LEF

Location: Louvre Museum, Paris, France
Original Size: 184 x 149 cm
Hercules and Omphale, 1724 | Francois Lemoyne | Giclée Canvas Print
Hercules and Omphale | Francois Lemoyne, 1724 | Giclée Canvas Print

Giclée Canvas Print | $60.50 USD

SKU:15355-LEF
Printed Size

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 50.4 x 41.2 in
*Max framing size: Long side up to 28"

in Height
in Width

"Hercules and Omphale" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "Hercules and Omphale" by Francois Lemoyne, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

Francois Lemoyne’s "Hercules and Omphale," painted in 1724, is a finely orchestrated tableau of myth and sensuality, a shimmering example of the French Rococo’s love for elegance and intrigue. Here, Lemoyne portrays Hercules, not in the throes of battle or labor, but in the throes of a more subtle conquest - surrendering himself, quite willingly, to Omphale’s allure. The artist places them in a pastoral setting, under a soft, glowing sky that feels almost dreamlike, as if we’ve stumbled upon a private myth captured in a fleeting moment.

In the foreground, Hercules and Omphale’s forms are entwined, their connection intimate yet tinged with a restrained theatricality. Omphale, clothed in Hercules' lion skin, holds his club with a delicate nonchalance - a visual play on power and femininity that Lemoyne uses to splendid effect. Hercules, meanwhile, seems at ease with his own disarmament, his posture relaxed, his eyes locked with Omphale’s in a tender exchange. Lemoyne’s treatment of drapery is exquisite; the soft, flowing folds of the fabric feel almost palpable, a textural counterpoint to the solidity of their forms.

The palette here is warm yet refined, with earthy browns, soft flesh tones, and a striking red curtain that frames the composition from above. This dramatic splash of red draws the viewer’s eye immediately, pulling us into the scene as though we’re voyeurs witnessing a secret tryst. Lemoyne’s brushwork is subtle, deftly applied to create a rich tapestry of color and texture. His control of light is particularly noteworthy; he employs it not just as illumination but as an emotional device, bathing the figures in a gentle glow that emphasizes the tenderness of the moment.

To the side, Cupid tugs at Hercules' club, a playful reminder of love’s power to render even the mightiest hero vulnerable. It’s a scene of contrasts - strength and softness, masculinity and femininity, love and conquest - woven together with Lemoyne’s gentle hand. The composition is harmonious and balanced, the figures placed with a precision that feels almost choreographed. Each detail - from the warm blush of their skin to the rippling drapery - is meticulously crafted, inviting us to linger, to appreciate the nuanced beauty of this moment where myth and human frailty converge.

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