Andromeda, 1929 by Tamara de Lempicka
Canvas Print - 4425-LTD

Location: Private Collection
Original Size: 100 x 65 cm
Andromeda, 1929 | Lempicka | Giclée Canvas Print
Andromeda | Lempicka, 1929 | Giclée Canvas Print

Giclée Canvas Print | $49.01 USD

SKU:4425-LTD
Printed Size

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 29.9 x 19 in
*Max framing size: Long side up to 28"

in Height
in Width

"Andromeda" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "Andromeda" by Lempicka, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

If you want a painting which is not in our catalogue

Painting Information

Tamara de Lempicka’s "Andromeda" (1929) feels like a fever dream in geometric form. The myth of Andromeda - usually portrayed as a damsel in distress, chained and waiting for rescue - is here transformed into a towering icon of sensuality and power. Lempicka paints her in chains, yes, but the chains are secondary to her unabashedly curvaceous, glossy body. That skin looks like it's been polished to a high shine, as if her very flesh is made of marble or chrome, catching the light at every turn.

Andromeda’s body forms a perfect curve, reminiscent of the smooth arcs in Art Deco architecture. Her face, with its angular planes and exaggerated features - those sharp red lips and perfectly arched eyebrows - has a stoic, almost aloof quality. This is a woman who may be chained, but she’s far from defeated. There’s a quiet arrogance in the way she tilts her head, as if even in captivity, she knows her own worth.

The composition is, quite literally, hard-edged. Look at the background - sharp, crystalline structures rise up behind her, abstract yet unmistakably architectural. It’s as if she’s been placed inside some cold, faceted prison of steel and stone. Lempicka masterfully contrasts the organic softness of the human form with the hard, angular lines of the background.

Colors here are kept deliberately limited. Pale flesh tones stand starkly against the muted grays and whites of the environment, with just a flash of crimson on her lips and hair. It’s striking, like a splash of blood against ice. And isn’t that the essence of Lempicka? Cool, yet undeniably erotic.

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