The Boat (Claude Monet, with Madame Monet, Working on His Boat in Argenteuil), 1874 by Edouard Manet
Canvas Print - 13640-MED
Location: Neue Pinakothek, Munich, GermanyOriginal Size: 82.5 x 100.5 cm
Giclée Canvas Print | $62.66 USD
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By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 39.1 x 47.2 in
*Max framing size: Long side up to 28"
"The Boat (Claude Monet, with Madame Monet, Working on His Boat in Argenteuil)" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "The Boat (Claude Monet, with Madame Monet, Working on His Boat in Argenteuil)" by Manet, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.
Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.
All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
The Impressionists, who had admired Manet's art since 1863, finally met him in 1866. In 1874, when they held their first independent exhibition separate from the Salon, Manet embraced their painting style after getting acquainted with them during their regular gatherings at the Cafe Guerbois on Thursday evenings.
"The Barge", a work that remained unfinished due to the extensive duration of Manet's sessions, depicts Claude Monet in his studio floating on the Seine at Argenteuil. In the summer of 1874, Manet, accompanied by his family, spent time on the other side of the river in Gennevilliers, where he collaborated with Pierre-Auguste Renoir (1841-1919) on their paintings. This period marked a departure from Manet's previous use of darker colors and distinct outlines as he embraced an Impressionistic approach to his art. However, despite this transition, Manet still retained elements of his dark color palette, which are noticeable in the somber character of the boat.
In Manet's work, the central focus is always a person, as seen in this case with Monet and Camille. Unlike Monet, who often painted landscapes for their own sake, Manet never created a landscape as the primary subject. The flat, dark backgrounds that he employed in some of his earlier works were intentionally designed to complement the figures rather than being mere absences of detail. They were always conceived as integral parts of the overall composition.
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