Ophelia, c.1851/52 by Sir John Everett Millais
Canvas Print - 2557-MJE
Location: Tate Gallery, London, United KingdomOriginal Size: 76.2 x 111.8 cm
Giclée Canvas Print | $51.53 USD
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By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 32.1 x 47.2 in
*Max framing size: Long side up to 28"
"Ophelia" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Ophelia" by Millais, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
John Everett Millais’s "Ophelia" is a work of extraordinary dedication, a testament to both the rigor and the romanticism of the Pre-Raphaelite Brotherhood. In this painting, Millais has turned a simple English riverbank into a complex tapestry of detail, lush with the rhythms of nature. Every leaf, every blade of grass, every wildflower is rendered with a loving precision that speaks to an artist captivated by the beauty - and indifference - of the natural world. Yet, at the heart of this verdant scene, Ophelia floats, a pale, tragic figure, caught in the swirling eddies of her fate.
The palette Millais employs is rich, though subdued - earth tones of mossy greens, soft browns, and muted blues that blend seamlessly into each other, giving the scene a heavy, almost humid atmosphere. This is a world that feels thick with life. And then, there are the bright, unexpected bursts of color: the vivid red poppies, the purples of violets, and the small white daisies, each a deliberate choice by the artist. These are not just flowers; they are symbols, laden with meaning. The poppy - death, the violets - faithfulness or mourning, the daisies - innocence lost. Millais weaves these elements together to heighten the sense of Ophelia’s fragility, her humanity in the face of nature’s eternal cycles.
Ophelia’s pose is one of haunting passivity, her body seemingly buoyant, held aloft by the water, yet her face betraying a serene surrender. Millais paints her with a softness that contrasts with the sharp clarity of her surroundings. Her hands, delicately open, her expression blank yet strangely peaceful - she appears almost at home in this watery grave, as if nature itself has claimed her. Her dress, heavy with water, begins to sink, the floral patterns echoing the blossoms around her, binding her irrevocably to the landscape. This is a figure who has become one with her surroundings, both a part of nature and entirely apart from it.
Millais’s technique here is meticulous, bordering on obsessive. He captures every nuance of the vegetation, every ripple in the water, with a fidelity that borders on the photographic. This composition is, in a sense, a paradox: the natural setting feels overwhelmingly alive, while Ophelia, who was once full of life, drifts away, almost dissolving into the scene. The horizontal arrangement of her body, crossing the frame, adds a quiet, almost meditative quality, drawing the viewer’s eye along her form and then releasing it into the surrounding green. "Ophelia" is a profound meditation on the beauty and cruelty of the natural world - a world that does not pause, even as it absorbs this final moment of her tragic existence.
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