The Beach at Trouville, 1870 by Claude Monet
Canvas Print - 10602-MCL
Location: National Gallery, London, United KingdomOriginal Size: 38 x 46.5 cm
Giclée Canvas Print | $48.54 USD
By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 35.1 x 42.9 in
*Max framing size: Long side up to 28"
"The Beach at Trouville" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "The Beach at Trouville" by Claude Monet, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.
Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.
All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
Monet’s "The Beach at Trouville" (1870) is one of those paintings that sneak up on you. At first glance, it looks like a breezy little snapshot of two well-dressed women lounging by the sea, but it’s far more cunning than that. There’s something almost voyeuristic about the way we’re positioned here - as if we’re intruding on a private moment, observing these women without their awareness. One hides beneath a delicate blue parasol, its cool shade turning her face into a shadowy mystery. The other, cloaked in black, leans into her book, the brim of her bonnet creating a dramatic, almost theatrical silhouette. It’s intimacy without the intimacy.
Monet’s use of color is, as always, quietly brilliant. The whites of the dresses shimmer, but they’re not static; they’re alive, infused with tinges of lilac, gray, and blue that flicker in the sunlight. The sky, with its quicksilver clouds, is done in broad, almost lazy strokes of soft cream and pale blue, a casual flick of the wrist that feels like a sigh of relief. The whole scene vibrates with this ethereal lightness - you can almost taste the salty air, feel the wind pulling at the edges of their dresses.
And the technique? Loose, fleeting, barely there. It’s as though Monet is daring us to look past the surface - to see that what he’s really capturing is not the scene itself, but the sensation of it. This is impressionism in its truest form, a radical break from the need to pin everything down. Everything here is about the in-between: between light and shadow, between presence and absence. Monet isn’t painting two women on the beach - he’s painting the feeling of being there, in that exact moment, with the sand underfoot and the sky threatening to change at any second. It’s genius in its subtlety.
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