On the Cliff at Pourville, 1882 by Claude Monet
Canvas Print - 10716-MCL
Location: Museum Barberini, Potsdam, GermanyOriginal Size: 60.3 x 81.3 cm
Giclée Canvas Print | $54.21 USD
By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 24.9 x 33.9 in
*Max framing size: Long side up to 28"
"On the Cliff at Pourville" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "On the Cliff at Pourville" by Claude Monet, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.
Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.
All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
Monet. Always trying to make things look so... casual. But “On the Cliff at Pourville, 1882” is deceptive, much like the man himself. You look at it, and at first, you think, "Oh, lovely, a seaside view." But Monet isn’t showing you the holiday brochure version of the French coast. No, this is nature untamed, rough around the edges, a little messy, and a little more honest.
Let’s talk about those cliffs - they’re barely there! It’s the grass that dominates. Long, unruly, and spilling across the canvas like it’s in desperate need of a trim. Monet couldn’t care less about taming it. The brushstrokes here are wild and free, just like the wind you can practically hear howling off the sea. There’s no tidy delineation - everything blurs into everything else, just like that foggy, soft focus you get on a damp coastal day.
Then, there’s that sea. Blue? Forget about it. This is Monet - a man obsessed with color, but not in the way you expect. He’s not giving you postcard waves. Instead, it’s as if he’s dipped his brush into the sky and dragged it down into the water. The blues are pale, fading into greys, lavenders, and soft, misty whites. It’s the suggestion of a sea - a whisper more than a shout.
The composition? It’s lopsided, awkward even, but that’s the genius of it. He puts the horizon way up top, making you focus on what’s happening in the foreground - that chaotic, riotous cliff edge. The flowers are almost incidental, little pops of color amid the green wilderness.
This isn’t Monet painting what he sees - it’s him painting what he feels. The sense of being there, caught in the moment. It’s moody, atmospheric, and just a little bit magical in its disarray. It’s not about showing you the beauty of nature, but the unpredictability of it. Classic Monet. Always making it look easy, but you know it’s anything but.
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