Poppies near Vetheuil, c.1879 by Claude Monet
Canvas Print - 2507-MCL
Location: E.G. Buhrle Foundation Collection, Zurich, SwitzerlandOriginal Size: 73 x 92 cm
Giclée Canvas Print | $60.18 USD
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*Max printing size: 26.9 x 33.9 in
*Max framing size: Long side up to 28"
"Poppies near Vetheuil" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Poppies near Vetheuil" by Claude Monet, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
Claude Monet’s “Poppy Field near Vétheuil” is a piece that captures not just a landscape but a fleeting moment in time - a field alive with the hum of summer and the tranquility of rural France. The eye is immediately drawn to the blanket of poppies in the foreground, a sea of red that vibrates against the lush greens. Monet doesn’t delineate each flower individually; instead, he uses quick, impressionistic strokes, as though painting the very pulse of the field. The figures among the poppies - perhaps children, perhaps villagers - are ghostly presences, delicate splashes of white and blue that barely break the surface of the wild, floral expanse.
The sky above is layered with soft blues and gentle grays, a cloudy expanse that seems to stretch endlessly. It has a serene, almost melancholic quality, with wisps of light clouds that suggest the slow drift of time. The dark, tall trees on the horizon act as sentinels, guarding the field, their vertical forms contrasting with the wide sweep of the sky. Beyond them, the village of Vétheuil rests quietly on the hillside, a faint impression of rooftops and spires, painted in subdued tones that allow the village to sink into the landscape rather than dominate it. Monet’s brushstrokes here are light and delicate, rendering the town with a certain dreamlike softness.
Monet’s technique is deliberate, yet it carries the illusion of spontaneity. The strokes are loose, almost playful, capturing the shimmer of light on the flowers, the sway of grass in the breeze. The reds of the poppies - so bold against the muted greens and blues - create a sense of movement, as if the flowers themselves are part of a dance with the wind. Monet achieves a harmonious balance between the vibrancy of nature and the stillness of human presence, a contrast that imbues the scene with quiet emotion.
In “Poppy Field near Vétheuil,” Monet presents a world where nature and humanity coexist peacefully, each one blending into the other. The field is not just a setting but a character, breathing life into the scene with its colors, its textures, and its untamed beauty. It is a meditation on simplicity and the profound beauty of the ordinary, a window into the artist’s enduring affection for the landscapes of his home. This work captures the very essence of Impressionism - a momentary impression that lingers, rich with color and feeling.
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