Last Supper, 1866 by Nikolay Ge
Canvas Print - 19442-GEN
Location: The Tretyakov Gallery, Moscow, RussiaOriginal Size: 66.5 x 89.6 cm
Giclée Canvas Print | $61.35 USD
Your Selection
Customize Your Print
By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 25.3 x 33.9 in
*Max framing size: Long side up to 28"
"Last Supper" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Last Supper" by Nikolay Ge, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.
Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.
All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
Mid-nineteenth-century Russia was a crucible of religious questioning and lively scholarship, and this painting is steeped in those turbulent debates. The artist dared to read the Gospel stories through fresh eyes, drawing on the incisive writings of D.F. Strauss and E. Renan. This approach led to a break with the canonical tradition - the notion of a piously distant Christ is replaced by a profoundly human protagonist who reels at the thought of looming betrayal. The painting became both a testament to the era’s appetite for re-examining sacred texts and a declaration of a new independence in Russian art. Its creator received unprecedented recognition from the Imperial Academy of Arts - a step that signaled, for many, a long-overdue embrace of unorthodox creativity.
The composition is orchestrated so that Judas eclipses the very source of light. He stands in a darkened silhouette, his form interrupting the glow that bathes Christ and the troubled apostles gathered around a low table. This arrangement forces the eye to follow a stark visual pathway: from Christ’s illuminated figure, through the tense cluster of disciples, and finally to the brooding outline of the betrayer. Even the shadows cast by the flickering lamps play a crucial role, heightening the overall sense of fracture. It’s not merely one man stepping away - it’s a psychological schism, vividly etched into the painting’s geometry.
While the color palette is subdued - primarily earthen browns and deep olives - this restraint adds to the work’s emotional power. Light is concentrated in a narrow zone, leaving expanses of wall and floor in shadowy half-tones. The figures’ faces, half-bathed in golden illumination, reveal a range of expressions: dismay, anger, incredulity. All the while, Judas’s silhouette appears unnaturally stark against the wall, a bold compositional statement that speaks to the unfolding betrayal. The limited but strategically placed hues allow for a heightened drama of anticipation, as if events are teetering on the brink of cataclysm.
Brushwork here is precisely measured but far from ornamental. There’s a palpable effort to convey each apostle’s internal turmoil: subtle strokes define anxious hands and furrowed brows. The painted surfaces, though not especially lavish, carry a tense immediacy that aligns perfectly with the painting’s storytelling ambitions. By placing human emotion at the heart of a biblical scene and dramatizing it with sharp contrasts of light and dark, the artist delivers an enduring and provocative reflection on faith, doubt, and moral conflict.
Nikolay Ge
Original Size:79.5 x 63 cm
The Tretyakov Gallery, Moscow, Russia
Peter the Great Interrogating the Tsarevich Alexei Petrovich at Peterhof 1871
$63.74
Nikolay Ge
Original Size:134.8 x 172.7 cm
The Tretyakov Gallery, Moscow, Russia
Nikolay Ge
Original Size:79.5 x 63 cm
The Tretyakov Gallery, Moscow, Russia
Peter the Great Interrogating the Tsarevich Alexei Petrovich at Peterhof 1871
$63.74
Nikolay Ge
Original Size:134.8 x 172.7 cm
The Tretyakov Gallery, Moscow, Russia