Two Horses in a Meadow near a Gate, 1649 by Paulus Potter
Canvas Print - 16574-PPO
Location: Rijksmuseum, Amsterdam, NetherlandsOriginal Size: 23.5 x 30 cm
Giclée Canvas Print | $50.00 USD
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*Max printing size: 32.4 x 41.3 in
*Max framing size: Long side up to 28"
"Two Horses in a Meadow near a Gate" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Two Horses in a Meadow near a Gate" by Paulus Potter, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
In this intimate yet commanding work from 1649, Paulus Potter demonstrates his masterful ability to capture both the physical presence and inner vitality of his equine subjects. The painting presents two horses - one a muscular dark chestnut, the other a luminous grey - positioned on elevated ground against a characteristically Dutch landscape that recedes toward the distant spires of Delft.
The composition is remarkable for its psychological depth. The dark horse dominates the foreground, its powerful form silhouetted against the honey-colored sky, while its pale companion stands partially obscured by foliage, creating a subtle interplay of prominence and retreat. A wooden gate, weathered and rustic, anchors the scene while leading our eye toward the expansive meadowland beyond, where cattle graze as mere specks against the horizon.
Potter's technical prowess is evident in his handling of light and atmosphere. The painting captures a specific meteorological moment - the horses' manes and tails catch an unseen wind, while the lowering clouds suggest an approaching weather change. This atmospheric sensitivity transforms what could have been a simple animal portrait into a meditation on nature's restless energy.
The artist's command of color is particularly sophisticated. The chestnut horse's coat reveals subtle variations in tone, from deep brown to hints of russet where the light catches its flanks. The white horse provides a crucial counterpoint, its pale form picking up the luminosity of the sky while contrasting with the deeper greens of the surrounding foliage. Potter's painterly attention to these chromatic relationships creates a sense of volume and presence that makes the animals appear almost sculptural.
What distinguishes this work is Potter's ability to combine acute observation with painterly freedom. The precision with which he renders the horses' musculature and bearing reveals his deep understanding of equine anatomy, yet his handling of the landscape and sky shows a looser, more expressive touch. This painting exemplifies the Dutch Golden Age's fusion of naturalistic observation with artistic sophistication, creating a work that transcends mere animal portraiture to become a broader reflection on the relationship between domesticated nature and the wider landscape.