Spring, 1935 by Kuzma Petrov-Vodkin
Canvas Print - 15217-PVK
Location: State Russian Museum, St. Petersburg, RussiaOriginal Size: unknown
Giclée Canvas Print | $64.86 USD
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By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 24 x 20.6 in
*Max framing size: Long side up to 28"
"Spring" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Spring" by Kuzma Petrov-Vodkin, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.
Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.
All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
"Spring," 1935, by Petrov-Vodkin, is a painting that almost hovers, as if it’s caught between reality and some surreal, imagined plane. You can't help but feel like you're intruding on a moment of quiet intimacy, but there's also something slightly uncanny about it. The two figures, sitting casually yet somehow distant, seem to float above the landscape, which Petrov-Vodkin bends and curves in a way that makes everything below look like it’s tipping away from us. There’s a sense of detachment - not only in the perspective but in the way the figures relate to each other, and to the world around them.
The composition is strikingly simple yet disorienting. The man in his Yellow tank top, almost like a figure out of Soviet propaganda, and the woman in her bold blue dress are locked in a kind of quiet tension. They aren't touching, but there’s a strange pull between them, reinforced by the twisting, almost fishbowl-like horizon beneath their feet. The landscape feels like it’s both rising up to meet them and falling away into some other dimension. The village below, with its tiny houses and serpentine roads, is rendered in miniature, while the figures sit with an almost monumental solidity - as if they're anchored in a different reality altogether.
Color plays a big part in this odd, suspended feeling. Petrov-Vodkin uses a restrained palette, but the hits of bright red - like the woman’s discarded hat - add a sharp contrast to the more serene tones of blue and green. The brushwork is clean, controlled, almost too precise, which gives the painting an unsettling calm. The space around the figures is so vast, yet the intimacy between them is close, almost stifling. There’s something eternal about it, but also something unresolved, like we’re watching a story that will never fully unfold. The whole thing feels like it’s teetering on the edge of reality - not quite stable, not quite fully formed.
Kuzma Petrov-Vodkin
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State Russian Museum, St. Petersburg, Russia
Kuzma Petrov-Vodkin
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Public Collection
Kuzma Petrov-Vodkin
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