Charing Cross Bridge, London, 1890 by Camille Jacob Pissarro
Canvas Print - 17762-PIC

Location: National Gallery of Art, Washington, USA
Original Size: 60 x 90 cm
Charing Cross Bridge, London, 1890 | Pissarro | Giclée Canvas Print
Charing Cross Bridge, London | Pissarro, 1890 | Giclée Canvas Print

Giclée Canvas Print | $48.70 USD

SKU:17762-PIC
Printed Size

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 26.8 x 41.3 in
*Max framing size: Long side up to 28"

in Height
in Width

"Charing Cross Bridge, London" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "Charing Cross Bridge, London" by Pissarro, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

“Charing Cross Bridge, London,” 1890. Camille Pissarro’s take on the smoggy sprawl of London – it’s a scene you can almost smell. The air’s thick with moisture, that cold dampness that seeps through your clothes and clings to your skin. But here, Pissarro finds a strange kind of beauty in the bleakness. It’s all muted greys, pale blues, and buttery yellows – everything soft, smudged, like looking through a steamed-up window. He’s not interested in showing off London’s landmarks, not really. The buildings, Parliament, and the spires are distant, drowned in haze, barely there at all.

The real focus is the light, or lack of it. There’s no dazzling sunlight here, no Mediterranean vibrancy – just this flat, diffuse glow that swallows everything in its path. The sky, if you can even call it that, is a restless swirl of delicate pointillist dots, soft as a breath, almost abstract. You’ve got these big, rolling clouds overhead, but Pissarro handles them with such care, breaking them into tiny fragments, so they don’t dominate, don’t overwhelm. They just hover.

And then there’s that river - the Thames, languid, reflective, like a slow-moving beast. It mirrors the sky but in a broken, fragmented way, like the world’s coming apart at the seams. You’ve got these little boats, just drifting there, almost swallowed by the water. They’re insignificant, really - just props for the landscape.

The bridge itself, Charing Cross, isn’t some grand, imposing structure. It’s flat, utilitarian, stretching across the canvas with a sort of indifference. It’s not there to inspire awe; it’s just part of the fabric of the city, the bones holding everything together.

Pissarro’s technique? That’s where the magic lies. Every dot, every dash of color is doing its own thing but somehow coming together into this cohesive whole. There’s no real urgency here - just a quiet, atmospheric hum, the subtle ebb and flow of a city at rest. It’s almost melancholy.

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