Victory of Joshua over the Amalekites, c.1625/26 by Nicolas Poussin
Canvas Print - 15601-PON

Location: The State Hermitage Museum, St. Petersburg, Russia
Original Size: 97.5 x 134 cm
Victory of Joshua over the Amalekites, c.1625/26 | Nicolas Poussin | Giclée Canvas Print
Victory of Joshua over the Amalekites | Nicolas Poussin, c.1625/26 | Giclée Canvas Print

Giclée Canvas Print | $53.24 USD

SKU:15601-PON
Printed Size

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 29.8 x 41.3 in
*Max framing size: Long side up to 28"

in Height
in Width

"Victory of Joshua over the Amalekites" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "Victory of Joshua over the Amalekites" by Nicolas Poussin, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

Nicolas Poussin’s "Victory of Joshua over the Amalekites" is a perfect example of what happens when an artist with a reputation for calm, classical composition decides to throw a tantrum. This painting, for all its biblical gravitas, is a full-on riot - bodies colliding, swords flashing, spears flying. It’s chaos, but it’s controlled chaos. Poussin knew exactly what he was doing.

Look closely, and you’ll see that he’s not just painting a battle - he’s creating a swirling maelstrom of human emotion. The figures are wound up tight, their muscles straining, their expressions contorted with fury or agony. It’s almost impossible to tell where one body ends and another begins. They’re mashed together in this writhing mass of flesh and metal, locked in the grip of war’s brutality. And yet, despite all this mess, Poussin manages to maintain his classic precision. Each figure is as detailed as a marble statue - their limbs rendered with anatomical accuracy, their clothing rippling with a life of its own.

And then there are the colors. Oh, the colors. Poussin’s palette here is like a flame that’s been doused in blood. The dominant reds and oranges practically leap off the canvas, clashing with the more muted browns and greens that lurk in the background. The sky is a brooding mix of gray and blue, offering no relief from the intensity below. But what really gets me is the light. He uses it sparingly but to great effect, highlighting some figures while plunging others into shadow, creating an intense chiaroscuro that only heightens the drama.

What Poussin’s done here is extraordinary. He’s taken the precision and order he’s known for and injected it with a fierce, almost manic energy. The result is a painting that feels both classical and completely wild. It’s a glorious contradiction - Poussin at his most explosive, and dare I say, his most exciting.

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