Discovery of Achilles on Skyros, c.1649/50 by Nicolas Poussin
Canvas Print - 15666-PON
Location: Boston Museum of Fine Arts, Massachusetts, USAOriginal Size: 97.5 x 131 cm
Giclée Canvas Print | $56.32 USD
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*Max printing size: 30.7 x 41.3 in
*Max framing size: Long side up to 28"
"Discovery of Achilles on Skyros" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
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Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
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If you select a frameless art print of "Discovery of Achilles on Skyros" by Nicolas Poussin, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
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Painting Information
Nicolas Poussin’s "Discovery of Achilles on Skyros," created around 1649-50, is a masterclass in narrative clarity and compositional control. Poussin invites us into a moment from Greek mythology, but rather than focusing on the spectacle, he emphasizes the tension and psychology of the scene. Achilles, draped in red, is caught between two worlds - the domestic sphere where he has hidden in disguise among women, and the martial reality he is destined for. His posture is conflicted, leaning forward in a moment of revelation, as the women surrounding him present him with a helmet - the unmistakable emblem of his true identity as a warrior.
Poussin’s color palette is bold, but nothing feels overwhelming. The reds, blues, and yellows play against each other in a kind of visual harmony, yet they underscore the emotional intensity of the moment. The richness of the fabrics and the flow of drapery add texture and depth, turning what could have been a static composition into something that feels almost theatrical. The figures move within this drama in carefully choreographed gestures - nothing is accidental here. Poussin's figures are like actors on a stage, each playing their part in the unfolding story with a sense of deliberate gravitas.
The architectural setting further heightens the classical tone. The imposing columns and distant landscape act as a visual counterpoint to the tightly packed figures. This is not just a scene of personal revelation, but one placed within the larger framework of destiny and heroism. The juxtaposition of stillness and tension defines the painting, as Poussin orchestrates a quiet yet profound moment of transformation.
What makes this work so compelling is Poussin’s intellectual rigor. His figures are not simply characters in a myth but representations of larger ideals - duty, fate, and identity. There’s a moral dimension to how the scene is structured, a deliberate examination of the inevitability of destiny. Poussin’s disciplined technique underscores the drama, yet nothing is excessive. It’s this balance - between the grand and the intimate, the heroic and the human - that makes this painting so enduring.
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