The Mond Crucifixion, c.1502/03 by Raffaello Sanzio Raphael
Canvas Print - 11285-RSA
Location: National Gallery, London, United KingdomOriginal Size: 283.3 x 167.3 cm
Giclée Canvas Print | $50.00 USD
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*Max printing size: 48 x 28 in
*Not available for framing
"The Mond Crucifixion" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "The Mond Crucifixion" by Raphael, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
In this early masterwork of the High Renaissance, Raphael presents the Crucifixion with a mathematical precision that somehow heightens, rather than diminishes, its emotional power. The composition arranges its figures with the clarity of sacred geometry, yet each participant in this cosmic drama pulses with individual life.
The painting's color scheme demonstrates the young Raphael's precocious mastery. The deep blue of the sky provides a stark backdrop for Christ's pale, luminous flesh, while the angels' robes - one in verdant green, the other in golden yellow - create a chromatic harmony that seems to suspend time itself. The Virgin's mourning garments, a sublime mix of purple-black, anchor the left side of the composition, balanced by John's rich red and green on the right.
What's particularly striking is Raphael's technical handling of space and perspective. The Cross, rather than simply dividing the picture plane, seems to pierce the boundary between heaven and earth. The floating angels, catching Christ's blood in golden chalices, occupy an intermediate realm between the celestial (marked by the sun and moon) and the terrestrial sphere where the mourners kneel. This spatial arrangement creates a vertical movement that draws the eye inexorably upward.
The artist's brushwork reveals his dual allegiance to Perugino's precision and Leonardo's sfumato. Notice how the landscape recedes in increasingly subtle atmospheric gradations, while the foreground figures are rendered with crystalline clarity. The drapery folds, particularly in Jerome's white robe and Mary Magdalene's pink garments, show a sculptural understanding of form that would become one of Raphael's hallmarks.
Painted around 1502-03 for a wool merchant's burial chapel, this work reveals the emergence of a revolutionary artistic vision. Even at this early stage, Raphael demonstrates his ability to fuse Northern European attention to detail with Italian ideals of harmony and proportion. The result is a devotional image that transcends its function as an altarpiece to become a meditation on the nature of sacrifice and redemption, rendered in a visual language that would help define the High Renaissance.
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