The Prophetess Anna (known as Rembrandt's Mother), 1631 by van Rijn Rembrandt
Canvas Print - 1997-REM
Location: Rijksmuseum, Amsterdam, NetherlandsOriginal Size: 60 x 48 cm
Giclée Canvas Print | $72.12 USD
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*Max printing size: 28 x 22.4 in
*Max framing size: Long side up to 28"
"The Prophetess Anna (known as Rembrandt's Mother)" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "The Prophetess Anna (known as Rembrandt's Mother)" by Rembrandt, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
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Painting Information
Ah, Rembrandt, you sly devil. Here we have “Old Woman Reading” (or “The Prophetess Hannah,” if you’re feeling theological), from 1631. The painting looks simple at first, right? Just an old woman in a heavy red robe, hunched over a massive book, bathed in light. But that’s the trick with Rembrandt - he’s never really simple. He’s a master of subtlety, and this painting is drenched in it.
First, let’s talk about that light. Rembrandt doesn’t just "use" light - he "manipulates" it. The glow is coming from above, bathing the old woman’s face and hands in this soft, almost holy radiance. And what’s genius here is the way the light falls on the page. You can practically feel the weight of her reading, the concentration in her fingers as they trace the text. This isn’t just an old woman - it’s a scene of quiet devotion. A private moment that Rembrandt has managed to make monumental.
Now, look at the colors. He’s using that classic Rembrandt palette: rich, earthy reds, warm golds, and deep darks. The robe is a marvel in itself - this luscious red velvet, so thick you want to wrap yourself in it. But the way he handles the textures, particularly the gleam on that headgear, it’s incredible. There’s a kind of sensuality to the way he paints material, even in a piece as meditative as this.
The composition? Deceptively simple. She’s centered, isolated in a dark, empty space, the book almost too big for her frail body. Yet, the whole scene feels perfectly balanced. He’s drawn our attention to her hands, her face, and the book - it’s all about her connection to this sacred text.
In true Rembrandt fashion, it’s a painting that whispers rather than shouts. But don’t let the quiet fool you. There’s power in that stillness.
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