Friends or Foes? (The Scout), c.1902/05 by Frederic Remington
Canvas Print - 17014-RGN
Location: The Clark Art Institute, Massachusetts, USAOriginal Size: 68.6 x 101.6 cm
Giclée Canvas Print | $50.55 USD
By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 28.3 x 41.3 in
*Max framing size: Long side up to 28"
"Friends or Foes? (The Scout)" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Friends or Foes? (The Scout)" by Frederic Remington, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.
Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.
All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
“Friends or Foes?” - classic Remington, isn’t it? But let’s not get too comfortable. The painting "appears" to be straightforward, a lone figure in the great American wilderness, scouting the frozen horizon. But what Remington really does here is challenge us with a scene that's deceptively simple. Look again. It’s a canvas where every stroke of paint is charged with quiet menace.
First, let’s talk about the snow. It’s not just snow; it’s this monstrous, oppressive blanket of cold, swallowing everything, extending infinitely into the distance. Remington uses icy blues and ghostly whites to create an environment that feels less like a landscape and more like a suffocating force of nature. The snow isn't merely background - it’s the antagonist. It threatens to erase the rider and his horse from existence. And yet, that flicker of warmth in the scout’s red sash pulls you in - a tiny ember of humanity trying to survive in this bleak expanse.
What really strikes me is how little detail Remington gives us about the scout himself. His face is turned away, his figure dwarfed by the elements. We’re left guessing - is he a protector or a predator? Friend or foe, indeed. And that horse! It’s almost more human than the rider - the sag in its posture, the heavy head, the way its breath fogs the air. You can feel its exhaustion, its resignation to this endless trudge through the snow.
Then there’s the composition. It’s sparse, sure, but that’s the genius of it. The rider isn’t at the center of attention - the vastness is. Remington makes sure we feel the weight of that icy horizon pressing down on him. The stars glint almost mockingly above, cold and indifferent.
Remington’s technique here is all about restraint. Minimal color, minimal action, yet the emotional tension is electric. It’s a painting that’s silent but deafening, if you know what I mean.
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