View of Monte Carlo from Cap Martin, c.1884 by Pierre-Auguste Renoir
Canvas Print - 17757-RPA

Location: National Gallery of Art, Washington, USA
Original Size: 66.2 x 81.6 cm
View of Monte Carlo from Cap Martin, c.1884 | Renoir | Giclée Canvas Print
View of Monte Carlo from Cap Martin | Renoir, c.1884 | Giclée Canvas Print

Giclée Canvas Print | $60.88 USD

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SKU:17757-RPA
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By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 33.2 x 41.3 in
*Max framing size: Long side up to 28"

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"View of Monte Carlo from Cap Martin" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "View of Monte Carlo from Cap Martin" by Renoir, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

Soft blues and greens immediately capture the eye in this scene, forming a delicate interplay with patches of ochre and pale yellow. Each hue merges seamlessly, producing an atmospheric quality that suggests the artist’s preoccupation with the nuances of natural light. The brushwork, composed of short, lively strokes, avoids overly bold contrasts yet remains active enough to convey shimmering reflections on the sea. One can almost trace the path of sunlight flickering across the water, carried by the dappled touches of color.

Set against this tapestry of tones, the composition unfolds in distinct layers that guide the viewer from foreground to distance. Trees in the forefront, rendered in a blend of green and russet, create a visual frame that leads the eye toward the shoreline and then onward to the rugged hillside. Despite the complexity of these elements, there is an inherent balance: the broad expanse of water in the midsection provides a tranquil pause between the bustling foliage and the luminous slopes. This structural arrangement underscores the artist’s awareness of how to balance intimacy with vastness, an attribute often associated with late 19th-century French painting.

Within these carefully orchestrated planes, one notices traces of villas along the water’s edge, their pale facades interspersed with subtle hints of warm color. They serve as a gentle reminder of human life embedded in a natural setting. The hillside rises behind them, capturing fleeting rays of light that wash over its contours in a mellow glow. In the mid-1880s, with Impressionism at the forefront of artistic innovation, there was a drive to encapsulate the immediate experience of a place. This work embodies that approach, with each brushstroke contributing to a unified impression rather than delineating sharp edges or strict outlines. Even so, the overall image is far from chaotic: the rhythmic sweep from foreground vegetation to distant bay conveys a measured composition, reflecting a careful study of nature’s changing colors. Through deft handling of paint and a keen sense of organization, the artist offers a glimpse not only of a specific locale but of the subtly shifting dance between land, sea, and sky.

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