Mrs Elizabeth Carnac, c.1775 by Sir Joshua Reynolds
Canvas Print - 4828-RSJ

Location: The Wallace Collection, London, United Kingdom
Original Size: 240.4 x 146.4 cm
Mrs Elizabeth Carnac, c.1775 | Reynolds | Giclée Canvas Print
Mrs Elizabeth Carnac | Reynolds, c.1775 | Giclée Canvas Print

Giclée Canvas Print | $48.70 USD

SKU:4828-RSJ
Printed Size

By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 29.9 x 18.2 in
*Max framing size: Long side up to 28"

in Height
in Width

"Mrs Elizabeth Carnac" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "Mrs Elizabeth Carnac" by Reynolds, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

If you want a painting which is not in our catalogue

Painting Information

In Sir Joshua Reynolds’ "Mrs. Elizabeth Carnac," painted around 1775, we see not only a portrait of a fashionable 18th-century woman but a carefully crafted representation of status and wealth. Reynolds captures Mrs. Carnac in an idyllic setting, framed by trees, suggesting both her connection to nature and her place within the sophisticated circles of English society. The painting is as much about her surroundings as it is about her. She stands confidently, her voluminous silken gown spilling around her in sumptuous folds, each highlighted with a masterful play of light and shadow. This garment, richly adorned, is no ordinary dress - it speaks of luxury, of the East India Company wealth she married into, and the fineries of her elevated world.

Her expression is poised, serene, yet distant, her gaze just slightly averted from the viewer. This subtle detachment conveys an awareness of her own place in society, as if she understands the role she plays in this constructed moment of elegance. The feathers adorning her headdress further accentuate her aristocratic bearing, a nod to the fashionable excesses of the period, worn with an ease that signifies the height of privilege.

Reynolds balances Mrs. Carnac against a backdrop of nature that feels controlled and deliberate. The landscape is not wild; it is an ordered vision of nature, softened by autumnal hues and dappled light. The trees frame her gracefully, while the muted greens and browns of the background allow the shimmering whites and golds of her gown to dominate. This contrast between her soft, gleaming attire and the darker, earthy tones behind her heightens the sense of her being almost otherworldly, as if she is a goddess of fashion and fortune, momentarily descended into this serene woodland scene.

What is particularly striking about this portrait is Reynolds’ ability to merge the individual and the symbolic. Mrs. Carnac is, of course, a real woman, but she is also a representation of the social ideals of her time: wealth, beauty, and the refined control of both self and environment. Reynolds captures all of this with his characteristic painterly finesse, creating a portrait that feels both personal and timeless, a reflection of the shifting landscape of English portraiture and the identities it shaped.

Top