The Mouth of the Bidasoa River, 1872 by Martin Rico y Ortega
Canvas Print - 14954-OYR
Location: Prado Museum, Madrid, SpainOriginal Size: 39.3 x 72 cm
Giclée Canvas Print | $50.49 USD
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By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 19.1 x 35.4 in
*Max framing size: Long side up to 28"
"The Mouth of the Bidasoa River" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "The Mouth of the Bidasoa River" by Martin Rico y Ortega, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
"The Mouth of the Bidasoa River", 1872. Martín Rico y Ortega - one of those artists who quietly goes about his business, creating these astonishingly serene scenes, and yet somehow the wider world forgets to shout his name from the rooftops. Look at this one. You could almost miss the magic at first glance, it’s so calm, so unassuming. But take a moment - soak it in - and you’ll see it’s all about atmosphere. Rico doesn’t paint a river mouth; he paints a mood. The man’s obsessed with light and air. It’s everywhere in this canvas, rolling off the sea, bouncing off the clouds, making the boats practically float in suspension.
The colors are muted but potent. He’s got that Spanish mastery of light down, hasn’t he? The sky is enormous - almost too big for the scene - but that’s exactly the point. Those billowing clouds are full of life, yet somehow weightless. You can almost smell the dampness in the air. It’s all these soft blues, whites, and greys up above, and then the water echoes it, like a quieter cousin reflecting the heavens. It’s not the sunniest day, but that’s where the charm is - in this in-between moment, somewhere between dawn and dusk.
The beach below is where the humans skitter about - tiny figures in comparison to the rest of the scene, but look how they’re integrated. The boats are heavy, their dark shapes like anchors, literally and visually, against the lightness of everything else. Rico’s brushstrokes are neat but never precious - there’s no fussy detail here. He’s all about the composition: those boats lining up as if they know they’re part of a perfectly balanced act. Everything’s in its place, but with that hint of randomness that makes it feel alive, like a snapshot of something ongoing. It’s quiet. It’s understated. And yet, it's quietly monumental.
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