Pompeii, 1855 by Robert Scott Duncanson
Canvas Print - 18194-RSD

Location: Smithsonian American Art Museum, Washington, USA
Original Size: 53.3 x 43.2 cm
Pompeii, 1855 | Robert Scott Duncanson | Giclée Canvas Print
Pompeii | Robert Scott Duncanson, 1855 | Giclée Canvas Print

Giclée Canvas Print | $57.65 USD

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SKU:18194-RSD
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By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.

*Max printing size: 29.9 x 24.3 in
*Max framing size: Long side up to 28"

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"Pompeii" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.

Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.

To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.

Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.

Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.

If you select a frameless art print of "Pompeii" by Robert Scott Duncanson, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.

We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.

For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.

Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.

All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.

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Painting Information

Robert Scott Duncanson’s Pompeii from 1855, housed in the Smithsonian American Art Museum, is a tour de force of romanticism intertwined with the poignant echoes of a lost civilization. The painting is suffused with a serene melancholy, encapsulating the essence of a bygone era frozen in time. Duncanson, an African American painter of extraordinary talent, transports us to the ancient ruins of Pompeii, juxtaposing the monumental with the ephemeral.

Dominating the composition is a lone, towering column that pierces the tranquil sky, a silent sentinel amidst the decaying remnants of a once-thriving city. The column, bathed in soft light, contrasts sharply with the crumbling structures around it, symbolizing the inevitable passage of time. In the background, Vesuvius looms menacingly, a dark reminder of nature’s unstoppable power, its plume of smoke curling ominously into the heavens.

The foreground is lush with vegetation, nature slowly reclaiming what was lost, while the middle ground reveals figures dwarfed by the scale of the ruins, adding a sense of human fragility against the grand sweep of history. The soft pastel palette and delicate brushwork imbue the scene with a dreamlike quality, making the viewer ponder the transience of human achievement.

Duncanson’s work not only captures the physicality of Pompeii’s ruins but also evokes a profound sense of nostalgia and introspection, a meditation on the impermanence of all things, rendered with a poetic sensibility that is both haunting and sublime.

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