Double Portrait of Albert and Nikolaus Rubens, c.1626/27 by Peter Paul Rubens
Canvas Print - 3494-RPP
Location: Liechtenstein Museum, Vienna, AustriaOriginal Size: 157 x 93 cm
Giclée Canvas Print | $48.70 USD
By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 28 x 16.3 in
*Max framing size: Long side up to 28"
"Double Portrait of Albert and Nikolaus Rubens" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Double Portrait of Albert and Nikolaus Rubens" by Rubens, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
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Painting Information
By Isabella Brandt the artist had three children. His first-born daughter Clara Serena died at the age of twelve, and the mother died shortly afterwards, in 1626. The two sons Albert and Nikolaus are represented in this portrait. Without losing any of his adolescent freshness, Albert, aged about fourteen, has already assumed the posture of a young squire. In a black suit, with a large hat on his head, he is cross-legged, leaning against the pedestal of a column. The book he holds in his right hand shows that the carefree childhood has already passed for the proud Latin student. His younger brother, on the other hand, whom he seems to have protectively embraced with his left arm, can still afford childish amusements. Oblivious to the spectator, the colourfully dressed Nikolaus is absorbed in his play with the little bird.
The half-child, half-adult look of the big one, the little one still fully in the unencumbered world of the child, the brotherly affection that binds the two children whom the love and care of the father protects from the harsh reality all this Rubens has managed to convey in this masterly work. The artist's gift for understanding and characterizing the child in his innermost being is evidenced not only by numerous other portraits, but also by the mischievous cupids and angels in his painting. His own children sometimes posed for them, as well as for the images of the infant Christ and the little John. For example, he used the adorable drawing of the little Nikolaus with a coral chain for the figure of Jesus in the painting "The Virgin Mary Venerated by Penitent Sinners and by Saints" (Kassel), and the child's head from the Berlin Museum, we meet again with an angel in "Madonna with a Crown" (Munich). The oil study, attributed by some to Van Dyck, depicts the about two-year-old Albert, who - like his younger brother in the later double portrait - holds a bird tied by a string; the bird and the child's hands, however, were added only later by Rubens.
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