The Man with a Glove, c.1520 by Tiziano Vecellio Titian
Canvas Print - 9475-TTV
Location: Louvre Museum, Paris, FranceOriginal Size: 100 x 89 cm
Giclée Canvas Print | $112.94 USD
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*Max printing size: 43.3 x 38.5 in
*Max framing size: Long side up to 28"
"The Man with a Glove" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "The Man with a Glove" by Titian, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
Titian’s “The Man with a Glove” is a portrait wrapped in understated opulence, a study in elegance and introspection. The young man, seated before a dark, almost velvety background, emerges with an air of quiet self-assurance. His attire is simple yet refined - a black doublet with delicate ruffled edges, its darkness enveloping him and accentuating the pale, luminous quality of his skin. The limited color palette - blacks, whites, and subtle touches of gold - creates a dramatic contrast that feels both intimate and regal, capturing a young aristocrat who is both in the world and separate from it.
His left hand, encased in a finely crafted glove, rests casually on a marble block, while his right hand, ungloved, holds the other as if in a gesture of lingering thoughtfulness. The gloves themselves are painted with remarkable precision, their soft leather folds suggesting luxury and refinement without extravagance. Around his neck, a thin gold chain with a sapphire pendant lies subtly against the white ruffled collar, a hint of wealth that whispers rather than shouts. The carefully observed details - the ring bearing a coat of arms, the meticulously coiffed hair - allude to a life of privilege, yet the man himself seems distant, as if his mind is somewhere far beyond the confines of the portrait.
Titian’s brushwork is restrained and purposeful, his use of shadow lending depth and mystery to the figure. There’s an intensity in the young man’s gaze, a look that is both penetrating and withdrawn. His expression is poised yet contemplative, his head turned slightly to the side as if caught in a moment of reflection. Titian avoids overt symbolism here; instead, he gives us a subtle, nuanced portrayal that speaks to the complexities of identity and status. The viewer is left to wonder about this young man’s life, his thoughts, his ambitions. It is a portrait that invites contemplation, drawing us into the world of Renaissance Venice and its intricate layers of social and personal meaning.
“The Man with a Glove” reflects Titian’s early fascination with capturing the psyche through minimalistic composition and nuanced expression. This is a portrait not overloaded with decorative flourishes but grounded in the psychology of its sitter. The darkness of the background, the elegance of the clothing, and the softness of the face together create a sense of quiet drama, an introspective moment caught in paint. Titian’s portraiture here is an intimate look at a young nobleman, poised between privilege and introspection, and a testament to his emerging mastery in exploring the inner life beneath the exterior.
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