The Tribute Money, c.1560/68 by Tiziano Vecellio Titian
Canvas Print - 9551-TTV
Location: National Gallery, London, United KingdomOriginal Size: 112.2 x 103.2 cm
Giclée Canvas Print | $69.42 USD
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By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 38.2 x 35 in
*Max framing size: Long side up to 28"
"The Tribute Money" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "The Tribute Money" by Titian, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
One of the first things to notice here is the painting’s shifting color palette, shaped as much by time as by the artist’s hand. The cloak around Christ’s shoulders, now noticeably subdued in the shadows, was almost certainly once a brighter, more electrifying blue. The Pharisee’s scarf has aged, too, losing its original purple tint as the smalt pigments altered over centuries. Yet these muted tones work in a curious way—they hint at the passage of history, reminding us how pigments and ideas can transform across eras.
Look next at how the composition draws the eye in a zigzag dance. On one side, the bearded Pharisee and his outstretched arm pull our attention to the glittering coin offered to Christ. From there, Christ’s own raised hand sweeps us back toward his face, stopping just long enough to register the subtle interplay of expressions between these figures. A bespectacled scribe hovers behind, peeking around the Pharisee’s shoulder, an onlooker lured by the intellectual puzzle of whether to pay tribute to the earthly power of Rome or to reserve devotion for the divine.
In terms of technique, it’s evident that the artist returned to this work again and again, reshaping key details. X-ray scans have revealed multiple adjustments: Christ’s head slightly repositioned, and the coin’s placement refined. Such revisions represent a gradual search for the right emotional pitch. The brushwork, too, is varied—crisp and linear in the Pharisee’s weathered sleeve, looser and more atmospheric around Christ’s beard. Traces of layering show a push-and-pull between outline and softness, with the final effect capturing a vibrant tension in each gesture.
Standing before the canvas, you sense the charged drama of the moment itself. Three figures, pressed close, contemplate the act of paying taxes to Caesar. There is no grand architecture laid out behind them; the murky background remains only half-defined. Instead, the visual emphasis zeroes in on the question at the heart of the Gospel story: To whom do we owe our allegiance, and how do we grapple with the burdens of earthly governance versus heavenly duty?
Historically, this theme is quite rare, a choice that reflects both the daring spirit of the period and the strong bond between painter and patron. Indeed, the painting spent two centuries at the royal monastery of El Escorial, commissioned—or at least delivered—for the eye of King Philip II. Over time, restorations and natural fading have changed certain effects, leaving drapery highlights more pronounced than intended and sometimes blanched. Still, the essence of the scene remains intact, reminding us that centuries after its creation, the moral and artistic questions posed by this image continue to provoke reflection in the viewer.
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