David with the Head of Goliath and Two Soldiers, c.1620/22 by Valentin de Boulogne
Canvas Print - 15709-BUV
Location: Thyssen-Bornemisza Museum, Madrid, SpainOriginal Size: 99 x 134 cm
Giclée Canvas Print | $56.77 USD
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*Max printing size: 25.4 x 33.9 in
*Max framing size: Long side up to 28"
"David with the Head of Goliath and Two Soldiers" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "David with the Head of Goliath and Two Soldiers" by Valentin de Boulogne, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
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Painting Information
In Valentin de Boulogne’s "David with the Head of Goliath and Two Soldiers," c. 1620/22, we are confronted with a scene of raw, unflinching realism. Boulogne brings us face-to-face with the visceral aftermath of David’s legendary victory, depicting the young hero with a solemn, almost haunted expression as he holds the severed head of Goliath. The intensity of the moment is palpable - David’s grip is steady, yet his face reflects a deep introspection, as if he is only just beginning to grasp the magnitude of his act. To his left, one soldier recoils, mouth ajar, eyes wide with shock. The other, in shadow, meets our gaze, grounding us in the tension that hums through the canvas.
The palette is strikingly somber, dominated by rich, earthy tones that echo the influence of Caravaggio, whom Boulogne admired. Deep blacks envelop the scene, punctuated by sharp, metallic highlights on the soldiers' armor. There is a tactile quality to the textures here - from the rough fabric of David’s garment, slipping off his shoulder to reveal youthful, unadorned skin, to the glistening sheen of blood on the stone table. Boulogne uses color sparingly, yet purposefully. The muted green of the soldier’s sleeve and the warm reds interspersed throughout draw the eye around the composition, establishing a rhythm amidst the otherwise restrained tones. Light falls in patches, carving the figures out of the darkness and lending them a weight that feels almost sculptural.
Boulogne’s composition is tight and immediate, the three figures packed together, creating a sense of compressed energy. This is a moment of high drama, yet Boulogne resists the temptation to sensationalize. Instead, he allows the psychological tension to build slowly - David’s expression is distant, almost vacant, as if he has been momentarily unmoored by his own victory. Meanwhile, the soldier on the right peers outward, bridging the divide between the viewer and the painted world, implicating us in the quiet horror of this scene.
In this early work, Boulogne’s skill as a storyteller is evident. He invites us to see beyond the heroic myth and into the stark reality of the moment. There is no triumph here, only the weight of a deed done, and a young man grappling with the aftermath. Boulogne captures the fragile humanity of these figures, rendering them not as distant legends but as flesh and blood - flawed, complex, and ultimately, hauntingly real.
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