Allegory of Faith, c.1671/74 by Johannes Vermeer, van Delft
Canvas Print - 1079-VVD
Location: Metropolitan Museum of Art, New York, USAOriginal Size: 114.3 x 88.9 cm
Giclée Canvas Print | $72.40 USD
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*Max printing size: 24 x 18.7 in
*Max framing size: Long side up to 28"
"Allegory of Faith" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Allegory of Faith" by Vermeer, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
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Painting Information
Vermeer's "Allegory of Faith," housed in the Metropolitan Museum of Art, is a richly detailed and profoundly complex painting from around 1671 to 1674. As one of Vermeer’s less frequently discussed works, it offers a deep dive into the baroque fascination with symbolism and religious introspection.
At first glance, the painting captures a serene yet intense moment: a woman, dressed in luminous white and blue garments, reclines dramatically on a chair. She gazes heavenward with a fervent expression, her hand resting over her heart—a posture of divine inspiration and spiritual ecstasy. The surroundings are equally telling. Behind her, a dark, somber painting of the Crucifixion looms, juxtaposing her light attire with its heavy theological weight. This stark contrast underlines the painting's central theme: the transcendence of faith over earthly suffering.
On the floor, a globe lies at her feet, signifying the world she transcends through her faith. A serpent, crushed by a stone, symbolizes the triumph of faith over evil, echoing the biblical promise of redemption. The lush, opulent curtain to the left and the rich tapestry on the right wall further frame this tableau of spiritual contemplation, enveloping the scene in a cocoon of baroque splendor.
The still life on the table—a crucifix, chalice, and an open Bible—grounds the painting in Catholic iconography, subtly emphasizing the importance of the Eucharist and scripture in the practice of faith. A suspended glass sphere above reflects the room, adding a layer of optical intrigue that Vermeer is celebrated for.
This painting is a masterclass in the allegorical genre, blending intricate detail with profound spiritual symbolism, capturing the viewer in a moment of introspective reverence. Vermeer’s meticulous technique and his ability to convey deep emotional and theological themes make "Allegory of Faith" a standout piece that continues to evoke admiration and contemplation.
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