Harvest at La Crau with Montmajour, June 1888 by Vincent van Gogh
Canvas Print - 1290-VVG
Location: Van Gogh Museum, Amsterdam, NetherlandsOriginal Size: 73 x 92 cm
Giclée Canvas Print | $59.66 USD
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*Max printing size: 34.1 x 43.3 in
*Max framing size: Long side up to 28"
"Harvest at La Crau with Montmajour" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Harvest at La Crau with Montmajour" by Vincent van Gogh, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
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Painting Information
In this remarkable canvas from Van Gogh's Provençal period, the artist orchestrates color and brushwork to transform a mundane agricultural scene into a profound statement about humanity's relationship with the land. The extraordinary blue of the summer sky stretches across the top third of the canvas, creating a magnificent tension with the golden wheat fields below. This is not merely an exercise in complementary colors – it's a testament to Van Gogh's ability to capture the essential character of a place through chromatic relationships.
The artist's technique here deserves particular attention. Each brushstroke serves both descriptive and expressive purposes, from the rhythmic rendering of wheat stubble to the decisive vertical marks of the picket fence. These are not merely representational choices but speak to Van Gogh's larger artistic philosophy – that nature reveals itself through movement and energy rather than static description. The painting vibrates with a kinetic force that seems to emerge from within the landscape itself.
The composition guides our eye from the substantial haystack in the foreground, past the scattered farm implements – cart wheels and ladders that speak to human presence – toward the distant silhouette of Montmajour Abbey. Van Gogh completed this work during an intensely productive period in 1888, when he was living in complete harmony with the agricultural rhythms of Provence. The painting documents not just a place but a moment in time, when the heat of summer transformed the landscape into a tapestry of gold and azure.
What elevates this work beyond mere rural documentation is its subtle integration of social observation and personal vision. The distant figures working in the fields, the carefully observed agricultural tools, and the modest farm buildings all speak to Van Gogh's deep respect for rural labor. Yet these elements are transformed through his distinctive artistic language into something approaching poetry. The painting achieves a rare balance between objective observation and subjective response, between the prosaic reality of agricultural work and its transcendent dimensions. In this way, Van Gogh creates not just a landscape but a meditation on human endeavor and natural abundance.
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