Blue Enamel Coffeepot, Earthenware and Fruit, 1888 by Vincent van Gogh
Canvas Print - 1293-VVG
Location: Private CollectionOriginal Size: 65 x 81 cm
Giclée Canvas Print | $50.97 USD
By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 19.2 x 24 in
*Max framing size: Long side up to 28"
"Blue Enamel Coffeepot, Earthenware and Fruit" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Blue Enamel Coffeepot, Earthenware and Fruit" by Vincent van Gogh, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.
Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.
All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
Vincent van Gogh’s "Blue Enamel Coffeepot, Earthenware and Fruit," 1888 - a painting that seems so domestic, so ordinary, yet it thrums with that frantic, obsessive energy only Van Gogh could muster. You can almost feel him standing there, agitated, refusing to just let these objects sit in stillness. Every inch of the canvas is alive, even if it’s just a jug and some pears.
Let’s start with the coffee pot - hulking and heavy, this deep, dark blue thing that dominates the whole scene. It’s like a brooding sentinel in the middle of the painting, casting a shadow over everything else. This isn’t a delicate, demure still life; it’s muscular. The enamel finish of the pot is almost aggressive in its shininess. It demands attention, unapologetically central.
Then, the contrast. To the right, we have this ornate, earthenware jug with a rather fussy design - all intricate details and classical influences. It’s almost absurd next to the rugged coffee pot. Then, there’s that checkered milk jug to the left, so whimsical it feels like it could’ve come straight from a children’s story. But it’s not kitsch, not in Van Gogh’s hands. He gives it weight, dignity even, like it belongs in this wild little gathering of objects.
But it’s the color that really makes the painting. Van Gogh was never interested in reality, thank goodness. The background is this flat, almost abrasive mustard yellow - not a shadow in sight. It makes the objects almost pop out at you, like they’re too vibrant to be contained in a three-dimensional space. And look at the red border framing the scene - it’s so bold, so deliberate, like Van Gogh was trying to remind us that this is a painting. No illusions here.
The fruit at the bottom, those oranges and lemons, almost feel like an afterthought - but a necessary one. They ground the whole thing in reality, reminding us that yes, this is just a table. But that drapery? It’s not some dainty linen cloth. Van Gogh attacks it with these thick, horizontal strokes, almost slashing at the canvas. It’s rough, it’s raw, it’s Van Gogh all over.
This isn’t a pretty still life - it’s a painting that grabs you by the throat. It’s as if the objects themselves are alive, vibrating with the energy of the man who painted them. You can feel him in every brushstroke.
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