Vase of Flowers, Grapes and Peaches, 1810 by Jan Frans van Dael
Canvas Print - 16397-DVJ
Location: Louvre Museum, Paris, FranceOriginal Size: 99 x 79 cm
Giclée Canvas Print | $59.77 USD
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By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 41.3 x 32.6 in
*Max framing size: Long side up to 28"
"Vase of Flowers, Grapes and Peaches" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "Vase of Flowers, Grapes and Peaches" by Jan Frans van Dael, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.
Once you have added the paintings to your shopping cart, you can use the "Shipping estimates" tool to obtain information about available transport services and their respective prices.
All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
In Jan Frans van Dael’s “Vase of Flowers, Grapes and Peaches,” 1810, you’re met with nature at its most idealized, yet utterly fabricated. Van Dael was part of that peculiar breed of still-life painters who didn’t just observe the natural world - they constructed it. He doesn’t give us flowers; he gives us 'the idea' of flowers, distilled to their most perfect form. Look at this vase: tulips, roses, poppies, even irises, all impossibly fresh, vibrant, and arranged with such deliberation that it’s almost clinical. It’s a kind of botanical utopia, where nothing wilts, nothing decays. In a sense, it’s more of a museum of flowers than an actual bouquet.
The colors are loud but harmonious, tuned to perfection. There’s a sense that every hue - the reds, the whites, the yellows - has been carefully calibrated to create balance, even though the sheer variety of flora should result in chaos. And yet, it’s the control that strikes you. Every petal, every leaf is rendered with such precision, you can almost feel the painter’s hand obsessing over the smallest detail, as if afraid to let anything fall out of place. But that perfection comes at a cost. The painting feels a bit like it’s holding its breath - like the flowers, frozen in their prime, are denying the inevitable cycle of bloom and decay.
Van Dael extends this hyperrealism to the fruit - those grapes and peaches nestled at the base. They’re almost too perfect, too round, like they’ve been polished for display. There’s something uncanny about them, as if they’re props in some elaborate set design rather than pieces of the natural world. And yet, that’s the charm. It’s artifice embraced, a celebration of nature through the lens of human perfectionism. It’s beauty, yes, but beauty on a pedestal - untouchable, and in some ways, unreachable.
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